North Bergen, North Bergen

Unveiling Yasujiro Ozu’s legacy through his personal diaries, letters, and interviews, the documentary delves into his life, creative process, and lasting impact on filmmaking.

With exclusive behind-the-scenes access into Herzog’s everyday life, rare archive material and in-depth interviews with celebrated collaborators – including Christian Bale, Nicole Kidman, and Robert Pattinson, we are given an exciting glimpse into the work and personal life of the iconic artist.

An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..

“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”

Through the Fondren Fellows program, the Rice Media Center Archive Project has spent the past few months sifting through material stored at the now-defunct Rice Media Center. The team has identified several films as especially notable and will be presenting them in conjunction with documentary footage the team shot of people involved with the films. From lectures featuring Roberto Rossellini and Werner Herzog to films from former Rice students and faculty, the film presentation will tell the narrative of the Rice Media Center through the films and filmmakers that passed through its corridors.

Two young documentarists travel around a forsaken island in the aftermath of a cataclysmic volcanic eruption. Their wanders lead them to the encounter of Professor Pereda, an acoustic geologist, conducting researches on geo-acoustics.

It seemed like a typically quiet night... but the most unexpected encounter leads Chris to a difficult choice.

A pre-fame Werner Herzog (Adam Ezagouri) is asked to share a flat with a strange new actor only known as Klaus Kinski. Herzog agrees but soon regrets his generous decision as Kinski proves to be one uncanny flatmate. Despite their disagreements, both decide to try and shoot Herzog's own version of Don Quixote, with disastrous consequences.

Burlesque is the new punk-rock, according to Dirty Martini, who will reveal some of the secrets of his art in night-clubs and cabarets of New York's off-off Broadway, from where the revitalization of burlesque as a form of popular mass entertainment is exported to the rest of the world.

The pleasures of sailing off the Isle of Wight are described by Uffa Fox, while Ralph Wightman tells of the peaceful life of its farms and villages.

The conflict between the running of an efficient bus service and the increasing motor car traffic in Britain's towns. Describes the traffic problem and some of the measures taken to help overcome it from the point of view of different members of the community; the ways in which the planning of new towns and the rebuilding of town centres can take into account the needs of all road users, and the particular contribution the bus can make as the best user of road space per passenger carried.

Pack your bags for a trip to a Catskills summer camp where the stars of tomorrow go to prepare for their shot at the big time as filmmaker Alexandra Shiva allows viewers a fly-on-the-wall perspective of Stagedoor Manor, the training ground for such notable Hollywood heavyweights as Robert Downey Jr., Jennifer Jason Leigh, and Natalie Portman.

"Nazarín is a Quixote of the priesthood " "Among the films I have made in Mexico, Nazarin is one that I prefer." "As inexplicable as the accidents that set it off, our imagination is a crucial privilege."

This made-for-TV documentary introduces the layperson to concepts and technologies that were emerging in computer interface design in the late 1980s and early 1990s: hypertext, multimedia, virtual assistants, interactive video, 3D animation, and virtual reality.

Illegal immigrants and asylum seekers in Serbia, placed in asylum centers after their dramatic journeys from war-torn and poverty-stricken areas of North Africa, Near and Middle East go through a period of adaptation to life and social circumstances in Serbia. In most cases, however, their goal is to reach one of the EU countries. Docu-drama is a space for them to, beside the socio-political context in which they found themselves, show their individual values, becoming heroes that viewers can identify with and whose destiny and struggle they can understand.

Colosseum: Rome's Arena of Death aka Colosseum: A Gladiator's Story is a 2003 BBC Television docudrama which tells the true story of Verus a gladiator who fought at the Colosseum in Rome.

In 1988, Andrew Wight and his team went on to attempt a record cave dive in Pannikin Plains Cave on the Nullarbor Plain, where flash floods turned the expedition into a life-or-death adventure. This was captured on film by his support team, and eventually published as Nullarbor Dreaming. This short film launched his career as an international film-maker and culminated in him becoming James Cameron's right-hand man on many 3D and other film projects. Sanctum was inspired by his Nullarbor experience

Jon Reiss and his crew travel to Asia, Australia, the Middle East and beyond, exploring the local graffiti scenes and artists. Follow-up to the groundbreaking street art documentary "Bomb It".

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.