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Group Galija celebrated the 35th aniversary on 22 and 23 October 2011 at the Great Hall of Sava Center.

Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.

In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.

Documentary film that deals with the problems of the rock'n'roll scene in Niš, focusing primarily on the period after the collapse of the former SFRJ.

We follow Timi, an energetic young skater who always seems to say more with his board than with words

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

The Unidentified is a feature-length documentary which reveals who were the commanders responsible for some of the most brutal attacks of the Kosovo war. The result of a two-year-long investigation, the documentary names the officers who ordered attacks on villages in the area around the town of Pec during the 1999 war and those who were involved in the removal of victims’ bodies to mass graves at the Batajnica police centre near Belgrade in Serbia. Sixteen years after they committed the crimes, they live peacefully in the Serbian capital, and despite the evidence that exists, they have not been prosecuted.

At the beginning of Sumadijska street in the vicinity of Slavija Square on the 11th August 1913, the Serbian victorious army from the Second Balkan War led by the Crown Prince Alexander Karadjordjevic was given a huge welcome by the highest military and political authorities of Serbia and Belgrade, representatives of civil organizations and national institutions, as well as several tens of thousands of people from Belgrade, Serbia and Vojvodina.

A documentary re-enactment of the last few hundred years in Serbian history.

When this film’s director was still a boy, he stood in front of “Flotel Europa“ and was hugely excited about the prospect of this gigantic ship moored in the port of Copenhagen becoming a new home for him, his mother and his older brother. Together with about 1000 other refugees from the former Yugoslavia, they started life anew on the ship.

As one of Belgrade’s last DIY anti-nationalist spaces faces closure, its community gathers for a final night — a farewell that becomes a quiet act of resistance.

A documentary on alternative music scene of Novi Sad (Serbia) that covers the period between 1989 and 2017.

The recent democratic revolutions throughout Eastern Europe—Serbia in 2000, Georgia in 2003, and the Ukraine in 2004—all seemed to follow a quick and easy pattern: the exposure of rigged elections, followed by massive street protests, and a regime that collapsed without a fight. But THE DEMOCRATIC REVOLUTIONARY HANDBOOK reveals the lengthy and meticulous preparations behind these seemingly spontaneous demonstrations, showing how modern marketing techniques have combined with revolutionary politics to transform the region's governments.

This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.

By the end of 1915, during the second half of World War I, which had started by the Austro-Hungarian Empire's attack on a small Kingdom of Serbia, Serbian people, its army, and the state found themselves in the greatest tribulation in its long history. Serbia is attacked by the combined militaries of Austro-Hungarian Empire, Germany, and Bulgaria. Defending every road, every hill, every creek, during the time when every village, every plato, every crossing was becoming a historical landmark, Serbia, relying on the Allies, moved its people, its government, and its remaining troops to Kosovo--the only unoccupied part of the Serbian territory, but soon had to cross Albania in the hopes of reaching the Allies' ships in the Mediteranian.

The film follows a famous model and stylist Maja Atanasijević in her lonely, but intense struggle to bring back forgotten values of a city.

In a remote mountainous village elderly people no longer deemed productive are stoned to death.

SARAJEVO RICOCHET - A TOWN BETRAYED This documentary exposes the callous betrayal of the massacred men of Srebrenica - how they were sacrificed by their own government for a political objective. The widows, mothers and sisters of the men and boys who died near Srebrenica will never let the world forget the events of July 1995. The Serbs pulled the trigger, but the reasons for their brutal action has not been investigated. Now Bosnian Muslims themselves expose what really happened before, during and after what is been called `the European genocide of our time`. The Bosnian Muslim government was negotiating with the Serbs to exchange territory - Srebrenica for the suburbs of Sarajevo.

A documentary on various Rastafarian belief

Emir Kusturica views himself as a rock musician and believes that he became a world-famous filmmaker by pure chance, as he shoots his movies only in between concert tours with the “No Smoking Orchestra” band. At these little pinpoints of time he gets “Palms d’Or” at Cannes, “Golden Lions” in Venice, builds his own villages, a power plant and a piste and regrets not becoming a professional football player. Kusturica’s own living is very much similar to his movies, where shoes are polished with cats, death is treated like a story from tabloid press, and life is a miracle...