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A documentary re-enactment of the last few hundred years in Serbian history.

In the Kosovo War, human dignity was shattered by the terrors of the Serbian government and the Albanian liberation army. Truths about the victims’ fates faded away, which is why a Finnish forensic research group led by Helena Ranta got a mission to act as an unbiased agent and investigate the real course of events.

Belgradian parades and everyday street scenes.

By the end of 1915, during the second half of World War I, which had started by the Austro-Hungarian Empire's attack on a small Kingdom of Serbia, Serbian people, its army, and the state found themselves in the greatest tribulation in its long history. Serbia is attacked by the combined militaries of Austro-Hungarian Empire, Germany, and Bulgaria. Defending every road, every hill, every creek, during the time when every village, every plato, every crossing was becoming a historical landmark, Serbia, relying on the Allies, moved its people, its government, and its remaining troops to Kosovo--the only unoccupied part of the Serbian territory, but soon had to cross Albania in the hopes of reaching the Allies' ships in the Mediteranian.

Through the socio-political overview of the problematic structure of fan clubs and football supporters in Serbia, this movie focuses on a particular case of an incident involving a French citizen - football fan in Belgrade, which led to 12 young people being convicted to 240 years of prison. One of them is Stefan Velickovic. This is the story about the man who became a part of a huge political scandal, and his right to defend himself. As someone who has not even been at the spot of the incident, he has been pronounced guilty of a crime. What are the interests and intentions for making Stefan a scapegoat?

Illegal immigrants and asylum seekers in Serbia, placed in asylum centers after their dramatic journeys from war-torn and poverty-stricken areas of North Africa, Near and Middle East go through a period of adaptation to life and social circumstances in Serbia. In most cases, however, their goal is to reach one of the EU countries. Docu-drama is a space for them to, beside the socio-political context in which they found themselves, show their individual values, becoming heroes that viewers can identify with and whose destiny and struggle they can understand.

A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.

The war crimes trial of Ratko Mladic, accused of masterminding the murder of over 7000 Muslim men and boys in Srebrenica in the 90s Bosnian war, the worst crime in Europe since WW2.

This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.

The film follows a famous model and stylist Maja Atanasijević in her lonely, but intense struggle to bring back forgotten values of a city.

The last months in the life of a Serbian philosopher and socialist activist Svetozar Marković and his exile by the government of the Serbian Princedom.

Emir Kusturica views himself as a rock musician and believes that he became a world-famous filmmaker by pure chance, as he shoots his movies only in between concert tours with the “No Smoking Orchestra” band. At these little pinpoints of time he gets “Palms d’Or” at Cannes, “Golden Lions” in Venice, builds his own villages, a power plant and a piste and regrets not becoming a professional football player. Kusturica’s own living is very much similar to his movies, where shoes are polished with cats, death is treated like a story from tabloid press, and life is a miracle...

As one of Belgrade’s last DIY anti-nationalist spaces faces closure, its community gathers for a final night — a farewell that becomes a quiet act of resistance.

'History is always made in the middle of the night. And when it happens, you are so damned tired, that you couldn't care less,' says Robert Cooper, an EU peace negotiator whose job it is to get Serbia and Kosovo to reach an agreement about peaceful coexistence. National pride and compromise are on everyone's lips, and much is at stake: Kosovo wants to come closer to independence, the Serbs have been promised EU membership if they can reach an agreement, and the EU tries to strengthen its credibility. But how far is each party willing to go? It is the unique characters that make this fascinating film about a delicate political game so vivid and loveable. The stoic, Serbian negotiator has a great passion for rock music, his colleague from Kosovo does not want to miss out on his daily visit to the hairdresser, and Cooper himself has a closet full of ties - one for every conceivable occasion.

Documentary road movie ‘Tarot Serbia’ is following Milan Radonjić, the star of ‘Commercial Tarot’ on his odyssey through rural, provincial parts of Serbia, where he’s invited to be the guest of honor at local TV stations. On his journey Milan will explore and reveal the characters of people living at the very edge of society, the ones who lost their jobs during transition, refugees from Bosnia and Kosovo, war veterans, invalids, sick people, betrayed lovers, girls possessed by demons, lonely pensioners, exorcists and all other people asking him for help and solution to all their problems.

Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.

Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.

"The Road to War" uses elaborate and fascinating computer-generated recreations and archives never seen before to examine how the assassination of Archduke Franz Ferdinand in 1914 was used by the Austro-Hungarian Empire to start a war against Serbia. The film investigates how this regional conflict involving the Central Powers and the Triple Entente escalated to become "World War I", a war with more than 17 million dead and More than 20 million injured.

At the beginning of Sumadijska street in the vicinity of Slavija Square on the 11th August 1913, the Serbian victorious army from the Second Balkan War led by the Crown Prince Alexander Karadjordjevic was given a huge welcome by the highest military and political authorities of Serbia and Belgrade, representatives of civil organizations and national institutions, as well as several tens of thousands of people from Belgrade, Serbia and Vojvodina.

Present day: a small village somewhere in rural Serbia. Reports on the upcoming parliamentary elections drone from the radio while a local traffic policeman tries to teach his old grandmother how to use a mobile phone. Glimpses of this old lady, who lives a lonely life on a remote farm, become the red thread running through the film with its snapshot-like portraits of everyday life in the tiny community. There’s the grocer’s shop the men visit to talk about money and politics. Or the postman who delivers on his moped the ballot papers for the forthcoming elections. The policeman who stops cars as he fancies. The school with a handful of children in the overlarge classroom. The pub in which something approaching merriment occasionally arises. And the recurrent visits to the old peasant woman: Her matter-of-fact inventory of aches and pains delivered to the local doctor, her worries about increasing thievery confided in the village priest.