In the late 16th century, after the death of Nobunaga Oda, Hideyoshi Toyotomi takes power. The age of war is about to end, but Hideyoshi Toyotomi's rule makes life difficult for the people. Monk Senko Ikenobo is a master of flower arrangement. He prays for peace in the world and tries to give hope to the people with flower arrangement. He becomes good friends with Rikyu. Rikyu is a monk and a politician. He has the most profound influence on chanoyu. Rikyu is forced to commit hara-kiri by Hideyoshi Toyotomi’s order. Monk Senko Ikenobo challenges Hideyoshi Toyotomi.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.
Having put down his sword and given up the will to fight, the masterless samurai Iemon lives in solitude while being haunted by his violent enigmatic past...
Yagyu Jubei, the finest swordsman in the land, is called upon to bare his blade to help Iemitsu keep his post. Meanwhile a fishmonger named Isshin Tasuke who bears an amazing resemblance to Shogun Iemitsu may be called upon to put his life on the line by acting as the Shogun's double. At the same time, the tragic story of Banzuiin Chobei and Mizuno Jurozaemon is unfolding.
A historical chivalric drama with tears and laughter, telling the story of Jirocho Shimizu's family, his confrontation with Katsuzo Kurokoma's family, right up to the final battle on the Tenryu River to avenge Ishimatsu Mori.
The Color Print of Edo is a 1939 black and white Japanese silent film with benshi accompaniment directed by Kazuo Mori. It is a cheerful period drama, sprinkled with comical scenes and tells the story of a loyal and handsome Edo period servant who fights to help his older brother marry the woman he loves. The star of this film, Utaemon Ichikawa, gained enormous popularity for his portrayal of a cheerful and chivalrous man.
Sen no Rikyu (Ebizo Ichikawa) is the son of a fish shop owner. Sen no Rikyu then studies tea and eventually becomes one of the primary influences upon the Japanese tea ceremony. With his elegant esthetics, Sen no Rikyu is favored by the most powerful man in Japan Toyotomi Hideyoshi (Nao Omori) and becomes one of his closest advisors. Due to conflicts, Toyotomi Hideyoshi then orders Sen no Rikyu to commit seppuku (suicide). Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's award-winning novel of the same name received the Best Artistic Contribution Award at the 37th Montréal World Film Festival, the Best Director Award at the 2014 Osaka Cinema Festival, the 30th Fumiko Yamaji Cultural Award and the 37th Japan Academy Film Prize in nine categories, including Best Art Direction, Excellent Film and Excellent Actor.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.
In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.
Four people recount different versions of the story of a man's murder and the rape of his wife.
The film tells about the life of the former vassal of the Ako clan - Fuwa Katsuemon Masatane.
Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
A young boy named Chomatsu (Misora Hibari) lives with an old man Denbei near the grounds of Asakusa temple as bell ringers. In their house is an Echigo lion mask, a memento of Chomatsu's deceased father. After several incidents of Echigo lion masks being destroyed in the area, a local kingpin Saheiji shows up at Denbei's demanded he hand over the mask, a request Denbei rejects out of pity for Chomatsu. However, after it is accidentally revealed that the mask contains an important map, Saheiji plots to steal the mask. Chomatsu gets involved after his mother makes a sudden reappearance that sends the boy on a roundabout journey that will reveal the truth about his family.
The era when Samurai and Ninja existed in Japan. Rikka Isurugi was born and raised in a Ninja clan secluded from society. She soon meets Miya, a girl with a mysterious power, who is found lost in the mountains. As Rikka is concerned that someone is pursuing Miya, she also asks the head the of Isurugi Ninja Clan for permission to avenger her father's death. Soon Rikka faces danger with the attack of the Negoro group but…
Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.
In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.
Kanichiro Yoshimura is a Samurai and Family man who can no longer support his wife and children on the the low pay he receives from his small town clan, he is forced by the love for his family to leave for the city in search of higher pay to support them.
In the mountainous region of Koshu, Taikahara, there was an intense power struggle between the prominent families, Tamaki and Kakukura. Facing the steward of Kakukura, Kurokawa Senjiro, was Tamaki Daisaburo, who was skilled with a handgun. Daisaburo had granted protection to the charcoal maker, Miyoshi, safeguarding a few mountains passed down from their ancestors. Daisaburo's elder brother, Iori, who had completed his training in Edo, saved Kakukura's only daughter, Koyumi, on his way back home. However, while Daisaburo rushed to Iori's aid after Koyumi was attacked by Kurokawa and his men, their family home was set ablaze.