Não matei ninguém e mesmo assim fui ao Cinema

Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.

Fulano de Tal

A documentary on the restoration of Rogério Sganzerla's 1970 film "Copacabana, Mon Amour".

ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.

MEDÉIA

A film-truth document. It presents the life of Luis, a man who wanders the streets of the city, going to and from work, contemplating the windows of a world he can never have and that invite him to consume, to dream.

A short film made from photos of Boca do Lixo, a bohemian and marginal neighborhood, and its people.

The story revolves around a sheep that becomes entangled in a conflict between two communities, with an underlying religious tension.

A staging of Thierry Janssen's play "Around the World in Eighty Days" by Thierry Debroux. It is based on the novel of the same name by Jules Verne.

In Kothula Gutta, Shiva dreams beyond his village. When love and fate intertwine, an epic journey of challenges and redemption unfolds.

A staging of Georges Feydeau's play "Feu la mère de Madame" by Jean-Luc Moreau.

Bank Robbers crash their getaway car in the path of a tornado and all the money gets sucked into a funnel cloud. Two scientists rescue the robbers along with a chatty influencer and embark on a comical odyssey.

The first time you hear it, it doesn't seem like a big deal. The word is strange and the tone in which it was used could be offensive. In the village the word soon spreads and as it passes from mouth to mouth it becomes heavier and takes on a markedly offensive character. As the village gets angrier, all the small misunderstandings in everyday life become serious business. There is only one solution: exposing the cases and their origin - the word barely heard and poorly said - which, today, in the village, is the most devastating offense that can be thrown at our greatest enemy.

The now-reformed Bad Guys are trying (very, very hard) to be good, but instead find themselves hijacked into a high-stakes, globe-trotting heist, masterminded by a new team of criminals they never saw coming: The Bad Girls.

1961 Japanese movie