Não matei ninguém e mesmo assim fui ao Cinema

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.

After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

A film-truth document. It presents the life of Luis, a man who wanders the streets of the city, going to and from work, contemplating the windows of a world he can never have and that invite him to consume, to dream.

A short film made from photos of Boca do Lixo, a bohemian and marginal neighborhood, and its people.

A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals.

A documentary on the restoration of Rogério Sganzerla's 1970 film "Copacabana, Mon Amour".

ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.

Fulano de Tal

MEDÉIA

When there’s no money left at home and the prematurely wise Wesley (12) arrives empty-handed at the birthday party of his impressive classmate Myra (12), he decides to secretly pose as the birthday kid on a radio broadcast to increase his chances of winning the big prize package.

OPERATION HIXIT. ANGRIFF AUF DIE PROVINZ DER SUPERHELDEN

The film mainly consists of various, often grotesque episodes. There is also a frame story from which the episodes are derived. However, the connection between the frame story and the episodes is very weak. Many episodes revolve around surveillance and security. In the frame story, insurance agent Erich and Richard are stuck together in an elevator that is unusually large for an apartment building (about 3x3 meters). While Erich wants to get out as quickly as possible, Richard isn't actually in any hurry, as he seems to live in the elevator.

The evil Gen. Rancor has his sights set on world domination, and only one man can stop him: Dick Steele, also known as Agent WD-40. Rancor needs to obtain a computer circuit for the missile that he is planning to fire, so Steele teams up with Veronique Ukrinsky, a KGB agent whose father designed the chip. Together they try to locate the evil mastermind's headquarters, where Veronique's father and several other hostages are being held.

Charlie's got a 'job' to do. Having just left prison he finds one of his friends has attempted a high-risk job in Torino, Italy, right under the nose of the mafia. Charlie's friend doesn't get very far, so Charlie takes over the 'job'. Using three Mini Coopers, a couple of Jaguars, and a bus, he hopes to bring Torino to a standstill, steal a fortune in gold and escape in the chaos.

When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.