Based on the game of Chess that delves into the conflicts and confrontations of people between the rich and poor class and high and low strata of society. How does an ordinary boy, from the community of sanitation workers, become a grandmaster?
Pasumpon is a 1995 Indian Tamil drama film, directed by P. Bharathiraja, starring Prabhu, Sivaji Ganesan, Sivakumar, Raadhika Sarathkumar and Saranya Ponvannan in lead roles. The film, produced by V. Mohan and V. Natarajan, had musical score by Vidyasagar and was released on 14 April 1995.
Circa British Rule in India, a man vows to make his only surviving son, Narayan, alias Nani, a Brahmachari to atone for the deaths of five of his children. He takes this child to a remote village in Karnataka, South India, where he leaves his 11 year old son in the care of a learned Archarya, Udup Pandit. Here Nani gets to meet two other disciples of the Archarya, as well as his widowed daughter, Yamuna, and another male by the name of Shrikar Upadhyay, who also teaches the British how to read and write in Hindi. The Archarya goes away for a few days, and when he returns nothing is the same anymore. His daughter is pregnant, the villagers are all set to remove her from the village, they are also angry with him for refusing Yamuna to follow the traditional way of a Hindu widow.
After the murder of his wife, and his son's kidnapping, Dr. Vidya Bhushan decides to devote the rest of his life as a Poojary, living on the premises of a princely-donated temple, hoping ...
In 1890s India, an arrogant British commander challenges the harshly taxed residents of Champaner to a high-stakes cricket match.
An ambitious Indian driver uses his wit and cunning to escape from poverty and rise to the top. An epic journey based on the New York Times bestseller.
‘SHAILA’ is a Hindi-language musical romance film produced by SUNIL SHARMA and written and directed by SAKI SHAH. The film star Rohit Choudhary and Sara Khan as Kunal and Shaila. Its an emotional journey that captures the essence of finding love in most unexpected places. ‘SHAILA’ takes you on an emotional journey through love's tender moments and heart-wrenching trials, set against the stunning backdrop of one of the world's most beautiful regions.
Set in 19th Century Japan a young samurai who finds himself in love with a farm girl leaves his home to begin a new life. He has to take stock of his new life when he is put to the test and ordered to kill a traitor who just happens to be his dearest friend.
A rich estate owner is killed by his second wife and her brother Aadimoolam. The estate owner's son Raja returns from USA and learns of this. In order to bring the culprits to book, he makes his friend Sethupati, a rickshaw puller, act as Raja.
Ramnarayan Tiwari, a Brahmin (uppermost caste as per the caste system in India) is a peon in a government undertaking, where recently, a Dalit (lower caste), has risen to become a big officer. Tiwari burns with resentment towards this officer’s hierarchical superiority because he considers himself superior as per the religiously ingrained caste system. Tiwari is also frustrated as his promotion has been overdue for years. The officer’s bathroom’s drain has choked. Tiwari tries to look for the official sweeper, also a lower caste man. This role-reversal story is about how Tiwari’s need for promotion, and his caste prejudice towards the officer, counterbalance each other to solve the problem of the choked drain.
A father blames his miseries on the birth of his third daughter, but soon understands her true value after he becomes paralyzed.
In rural South India, 15 year old Vanaja goes to work for the local Landlady in hopes of learning Kuchipudi Dance. Initial chemistry with the Landlady's son turns ugly, pitching her into a battle of Caste and Animus.
Madhukar and Parthavi fall head over heels in love with each other, but the fact that they belong to different castes of society, becomes an obstacle in their romance. The lovers dare to go against societal norms and battle all odds for the sake of love.
Kunjiraman returns from the Gulf intending to settle down in matrimony. But his plans are thwarted by his cousin Laalu and a curse that has gripped the village.
A fourteen year old Dalit (lower caste) boy in rural India is killed for writing a love letter.
Two people from different caste start to fall in love but after their parents not allowing them to stay together, they run away.
Four lives intersect along the Ganges: a low caste boy in hopeless love, a daughter ridden with guilt of a sexual encounter ending in a tragedy, a hapless father with fading morality, and a spirited child yearning for a family, long to escape the moral constructs of a small-town.
The film explores barriers of class and status stitched in the minds of societies, underscoring a narrative of love that can never be fulfilled. Or can it?
A devastated youngster awaits a chance to take revenge on his father's murderer, who is seen as a leader in a village.
Casteism and racism are not stories from remote past. In Indian society, these evils take a peculiar shape at the intersection of 'class'. "Kathrika" features the happenings inside a beauty salon, giving sneak peak to the ugly side of discrimination in our times.