Karuththamma

Pasumpon is a 1995 Indian Tamil drama film, directed by P. Bharathiraja, starring Prabhu, Sivaji Ganesan, Sivakumar, Raadhika Sarathkumar and Saranya Ponvannan in lead roles. The film, produced by V. Mohan and V. Natarajan, had musical score by Vidyasagar and was released on 14 April 1995.

A rich estate owner is killed by his second wife and her brother Aadimoolam. The estate owner's son Raja returns from USA and learns of this. In order to bring the culprits to book, he makes his friend Sethupati, a rickshaw puller, act as Raja.

A devastated youngster awaits a chance to take revenge on his father's murderer, who is seen as a leader in a village.

A drama film directed by Joydeb Ghosh, starring Debesh Roy Chowdhury and Premankur Chattopadhyay in the lead roles.

Vaidehi belongs to an orthodox Brahmin family and falls in love with Sankarapandi who is from a different caste. Their love is disapproved by her father but is accepted by Sankarapandi's family.

Koochan loves Tulasi but his mother insults the girl and her grandmother, forcing them to leave the village. Things take a turn for the worse when Tulasi is told to wed a rowdy man.

Kunjiraman returns from the Gulf intending to settle down in matrimony. But his plans are thwarted by his cousin Laalu and a curse that has gripped the village.

To protect his sister and her husband, a man who is revered as God by his villagers takes on the evil men who are hell bent of destroying their lives.

In France, a child is killed by its mother every ten days. By giving a voice to some of these women and their families, this documentary takes a fresh look at a phenomenon that is still taboo.

A murdered infant haunts the home where she died.

This film explores the complexity of female infanticide in southern India and shows steps that are being taken to eradicate the practice. Every year in India thousands of baby girls are killed. Partly because of the dowry system which makes a daughter a liability to a family. In a country where being a woman means living a life of hardship, the murder of female infants may be seen by the mothers as being a humane solution. URISE, a non-governmental agency, is working in the villages to promote the idea among women that female children are equal in the eyes of the law and can be an asset in the family, setting up associations called sanghams to support pregnant women and mothers in their decision to keep their daughters. When a girl is born, the sanghams celebrates her arrival with gifts, showing that a girl is something to be valued. This sensitive film does not dwell on the horrors of the practice. Rather, it allows the women to speak for themselves showing how they can be empowered.

The year is 1946. Under the strict orders of their father, Adam drags his younger brother Ali to witness their grandfather's corpse get washed before burial. Their cousin Iman, their constant playmate, is excluded from the ritual because she is a girl. The sight of the corpse has a profound effect on Adam; he announces that he doesn’t want to grow up and, from that moment on, he stops aging. As the years pass, the villagers come to believe Adam is cursed, while his brother, grappling with his own aging, feels Adam should be institutionalized. Only Iman and Anki, a shepherd and Adam’s lifelong best friend, see his condition as a blessing, preserving in him the pure, innocent goodness of a child. A haunting and beautiful story set against the oases and dust storms of Iraq.

Both Iman and her younger sister dream of finding true love, within the strict parameters of life. For Iman, there is an obvious obstacle: she is a Little Person, only 119 centimeters tall, which puts her out of the running for an arranged marriage. Instead she goes online, hiding her size and compensating with her big laugh and big personality. Her sister has an offer of marriage, but Khaled’s family has second thoughts when they meet Iman. To put things off, the man’s mother insists on a top-of-the-range refrigerator as a dowry. A light-hearted but fascinating mix of issues around marriage, disability and sisterhood, with a magnetic star performance by Mariam Sherif at its very big heart.

Battle King!! Map of the Mind Part 1

Bill Clayton is known as Broadway Bill because he is the most prominent Bill in the night life of the white way. Muriel loves Bill, but loathes his mode of life, and for her sake he goes to Underwood's lumber camp to work the alcohol out of his system. Hardigan. the foreman, thinks he is sent to spy upon his actions and makes several efforts to get rid of him, but in the end Bill thrashes the foreman, takes his place and wins the girl, though not before a curious chain of cross, purposes.

Boy

完美店长

Saar: The Conclusion -is the story of a father and son's bonding. A family drama, it talks about how the experiences in the growing-up years of a child can affect his thoughts and behavior pattern for life.