Tradeoff

A young, idealistic director arrives in a village to make a picture set during the Great Bengal Famine. It’s a film that he hopes will reveal the problems and privations still current in rural India.

During the course of an ordinary week in Hollywood, movie producer Ben must navigate his way through shark-infested waters as he struggles to complete his latest projects. A demanding studio boss demands extensive changes to a movie starring Sean Penn, while another chief won't greenlight a project unless star Bruce Willis shaves his beard. Meanwhile, Ben tries to reconcile with his wife and maintain a relationship with his young daughter.

While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.

Close-up to the man who censored films during the military dictatorship in Argentina, slightly inspired by the infamous Miguel Paulino Tato.

Day in the life of teenagers.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.

Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.

Fedja is haunted by his conscience in the form of Bibek.

In Hamburg, Ibrahim "Ibo" Secmez, of Turkish descent, wants to direct the first German kung-fu movie. For now, he makes commercials for his uncle's kebab restaurant. Titzie, an aspiring actress and Ibo's German girlfriend, finds she's pregnant. Ibo is uncertain about fatherhood - compounded by his father's disowning him for getting a German girl pregnant - so Titzie sends him packing. He makes attempts at getting it right, but as the birth approaches, he's still not ready. In the background are three thugs in search of good tripe soup and a Capulet-Montegue feud between the kebab joint and a Greek taverna across the street. Can Ibo be the glove upon that hand?

Successful writer/director Bernard Rougerie is at a creative dead end and decides to isolate himself from his wife in order to complete the script for his next film. Bernard moves into an apartment building whose tenants are in the midst of a revolt against their abusive landlord. Reluctant at first, he joins their cause and then becomes involved in an affair with young, unemployed resident Anne.

A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.

An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.

A day in the daily life of Man, an evicted adult who travels through the city before making a decision that will change his life.

When given the chance at a fresh-start, a grieving young man and his coked-up stepbrother, must confront a local mafia kingpin and perhaps something even more dangerous - their past.

After the comedy of the same name of Mirza Fatali Akhundov.

The First Komsomol Oil Well

A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.

Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.

Keisuke Kinoshita sits easily alongside Ozu, Kurosawa and Naruse as one of Japan’s most respected legends of cinema. Made to commemorate the centenary of Kinoshita’s birth, this biographical drama chronicles formative hardships and personal encounters to provide a rare glimpse into the life of one of Japan’s most acclaimed screen directors. Includes archival footage from 49 of the films he produced during his career at Shochiku.