Det danske Congo-Æventyr - Opdagerne

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A quartet of powerful, hard-hitting short films that lay bare the disturbing reality of everyday life in the Democratic Republic of Congo.

A chronicle of Nobel Prize winning physicist Marie Curie's little known yet invaluable contribution to wounded soldiers' treatment during World War I, and her professional partnership with radiotherapy pioneer Claudius Regaud.

By 1314, through effort and intrigue, Scottish King Robert Bruce had captured every major English-held castle except Stirling. Now English King Edward II would try to stop him - and subdue the Scottish rebellion forever. This is the story of the pivotal campaign culminating at the decisive Battle of Bannockburn, in the shadow of Stirling Castle. Today as Scotland contemplates a countdown to a referendum for renewed Scottish independence, we search the hearts and minds of the characters whose efforts at the Battle of Bannockburn would build a nation. Filmed in the style of 300 and Sin City and with intense and bloody battle scenes, we bring to life one of the most iconic times in Scottish history.

This is a short documentary about the old City of Buenos Aires and the new one. It’s an observational piece where the old photos of the same places invite us to live in the old Buenos Aires for a few minutes.

Starting as a documentary on the sexually liberated culture of late-Sixties Denmark, Sexual Freedom in Denmark winds up incorporating major elements of the marriage manual form and even manages to squeeze in a montage of beaver loops and erotic art. All narrated with earnest pronouncements concerning the social and psychological benefits of sexual liberation, the movie, is a kind of mondo film dotted with occasional glimpses of actual sex.

What happened after Einstein fled Nazi Germany? Using archival footage and his own words, this docudrama dives into the mind of a tortured genius.

In June 2010, French actress Marion Cotillard spent a week in the heart of the tropical forests of the Democratic Republic of Congo with members of Greenpeace France and Greenpeace Africa. She delivers in video a strong testimony on the looting of Congolese forests which benefits a few industrial groups, often European.

From St James's Palace in London, the historic proclamation of His Majesty the King takes place. For the first time since 1952, the Accession Council meets to make the formal declaration of the accession of the new sovereign. Following the Accession Council, the principal proclamation is read by Garter King of Arms.

The story about Danish national football (soccer) team, a traditional minnow until the mid-1980s when they improved dramatically and eventually went on to win the European championship in 1992.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Achtung Kinder Pumm

Documentary about the inhabitants, both human and animal, of the Belgian Congo. Released in 1958.

“In the beginning, women lived apart, unaware of the existence of men. Until one day, when the first woman, Toli, who was brave and adventurous traveled deep into the forest. Toli discovered solitary creatures with big muscles who knew how to climb trees and harvest wild honey. When Toli tasted their honey, she thought they should all live together….” That is how one of the creation stories of the Aka people from the tropical rainforest of the Congo Basin goes. Akaya, Kengole, Dibota and their friends and family are hunters-gatherers (and also great story-tellers) who guide us through their world. They explain their origins, myths, and the very spiritual meaning of life.

During the early 1970s, hundreds of peasants in a remote region of El Salvador began to emulate the early Christians, working the land together and building communities based on solidarity. By the late 1970s, thousands of peasants in northern Morazan organized to resist National Guard repression which often involved torture and executions. In 1980s, the military engaged in scorched earth operations against their villages, inaugurating a 12-year civil war. The Word in the Woods tells their stories. The film's protagonists must reflect upon their struggles in the light of current reality.

Tommy Seebach Mortensen; or just Tommy Seebach to the whole nation; were born in Copenhagen in 1949 and passed away far too early in 2003. "Tommy" received four stars out of six by Politiken,[6] Berlingske Tidende[7] and Ekstra Bladet;[8] B.T. awarded it six stars out of six.[9] Dagbladet Information described it as "... a story of an artist who became a victim of the musical genre which he himself had helped innovate, and who, instead of gaining the broad recognition he had longed for his entire life, ended up with a status somewhere in between national heritage and kitsch clown..."[10] Politiken called the film "worthy, worth seeing and moving", Ekstra Bladet "a moving portrait of a man caught between the music, his family and the bottle".

Wherever war breaks out, men with guns rape. During the decades of conflict in the Democratic Republic of Congo possibly hundreds of thousands of women and girls were brutally raped. In WEAPON OF WAR military perpetrators unveil what lies behind this brutal behavior and the strategies of rape as a war crime. An ex-rebel explains how he raped. Like for many ex-soldiers, starting a normal life again is a struggle filled with trauma. In an attempt to reconcile with his past, he decides to meets one of his victims in an attempt to obtain forgiveness. Captain Basima is working as a priest in Congo's army and confronts perpetrators of rape. He urges them to change. Just like he did.

With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.

Cuando España se desnudó

The intention of the film is to give an impression of what small exotic Denmark looks like, what the strange Danes look like and how they are. Nearly 100 Danes are presented in the film, amongst them a racing cyclist, a Minister of Finance, a popular actor and 13 unmarried women from a provincial town. "There is too much fogginess and rain and melancholy in most of the pictures of Denmark," says Jørgen Leth. "But not in my film. I would like to show you some authentic, clear and beautiful pictures from this strange country."