Home Invasion

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

Twenty Show was the first "user generated film", edited from fictional and real video-blogs. A unique experience initiated on the Internet, a mockumentary that paints a generational portrait of young French people in their twenties.

Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.

A documentary about aliens and UFOs with re-enactments of alien interviews and video of a supposedly real video of an alien being interviewed by government officials.

UFO - Dossiers inédits : Une recherche complète sur le phénomène des O.V.N.I.

Nueva York. Quinta Planta

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.

This special 10th anniversary edition of the Found Footage Festival finds curators Joe Pickett and Nick Prueher in a nostalgic mood, delving deeper--perhaps too deep--into some of their favorite VHS finds from over years. But Volume 7 is also jam packed with newly unearthed treasures, featuring singing rabbis, petulant news anchors, coughing snake handlers, bodybuilding clowns, and two body parts never before seen in the festival! It's a celebration of a decade of Found. Record over and you'll die! Taped live at The Grey Eagle in Asheville, North Carolina.

Using visual assemblage as a technique to delve into the artist's own formation of personal narrative, self-possession and the aestheticization of compositional materials, Sodipo extends her long term fascination with images that pull, extend, transform and recontextualise notions of femininity, desire, and danger.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

A viral video shows a mysterious figure walking along the edge of the woods each day, and filmmaker Bill Howard sets out to spend a night there to find out exactly what it is.

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

Lacan Palestine is a found footage essay about the troubled couple in Palestine. This country without a country has been party to imperial projections for centuries, amply on display here in waves of armed crusaders, legionnaires, Mongols on horseback and biplanes issuing state edicts from the end of a machine gun. There are maps by the galore, drawn and redrawn as occupied territories are bartered in foreign capitals. Contemporary art activists Velcrow Ripper, Elle Flanders, Tamira Sawatzky, Dani Leventhal and others have generously donated their keen lookings and these have been blended with newsreels, desert spectaculars, historical recreations and intimate encounters. Mike Cartmell appears as the ghost of psychoanalysis, offering ruminations on killing the father, John Coltrane and why enjoyment is difficult

In 2045, a filmmaker lands on Mars and tries to make a film. “Home… Far away from home”, he recalls faces of people, thus a collection of moving images emerge.

An extraordinary found footage documentary inspired by Stanisław Lem’s “Solaris”. A trance-like, personal story about loss, mourning & memory. The film consists of excerpts from 70 films produced by the Educational Film Studio in Lodz in the 1960s and the first radio adaptations of "Solaris". Lem begins writing “Solaris” the same year that Resnais' “Hiroshima Mon Amour” is released – says Kuba Mikurda – Like Resnais' film, I find “Solaris” a fascinating study of post-traumatic memory – repressed memories that pave their way into consciousness and demand to be expressed.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

Recover the community through individual stories with which we can connect with other people. This project aims to bring to light, through the symbolic and psychology, those similarities that exist between interpersonal differences.

A making-of documentary of the analogue horror short film "Interchange" made by James Seed.

When six famous Korean actresses gather for a Vogue fashion photo shoot, egos collide in funny and touching ways in this ingenious mockumentary, where all actresses involved play (not so) fictional versions of themselves.