His Name Was Jason: 30 Years of Friday the 13th

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.

The rock-wild youth of the 1960s during the apparitions of their idols.

After having released her fourth album "Red" in October 2012, Taylor Alison Swift continues to tear up the charts. In this film we learn how Swift becomes one of America's biggest Country and Pop music artists.

The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.

Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.

A middle-aged man returns to a fictional country in the Balkans to make a documentary about his father, a well-known artist. The son’s own artistic endeavours have never received attention to the level he feels they deserve. Consequently he has struggled to find a meaningful place in society and his personal life is chaos.

HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.

Siempre días azules

"Stitched" is a fun-filled documentary following three quilters racing to complete their entries for the International Quilt Festival, the largest and most competitive quilt show in the nation. Judged on a combination of craftsmanship and flair, traditionalists compete with newcomers as the competition features heated battles between hand and machine quilters, and a controversial painted nude piece that sparks debate.

The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.

Manual Scavenging is an all India Phenomenon. However, the Government of India is kind enough to enact Prohibition of Employment as Manual Scavengers and their Rehabilitation Act and implementing many schemes. But none of them failed to work as the caste system is paramount in the so called democratic constitutional India. This film Kakkoos elaborates on the deplorable status.

In the collective imagination, international adoption evokes images of children being saved from a life of destitution in poorer countries by being adopted by families in Europe or America. But the reality that has emerged is one of child trafficking, falsified documents and governments around the world turning a blind eye.

Dr. Steven Greer presents brand new top-secret evidence supporting extraterrestrial contact, including witness testimony, classified documents, and UFO footage, while also exploring the consequences of ruthlessly enforcing such secrecy.

De Madrid a la Luna

Federico Fellini died on October 31st, 1993. Thirty years later, he is still considered as one of the most irreverant moviemaker in the history of cinema. Through a long-previously-unseen interview, directed by Jean-Christophe Rosé in 1981, through extracts of his films and through behind-the-scenes, this documentary draws an intimate portrait of Fellini by himself.

Eighteen years in the making, two-headed cow started off as a black and white film that followed Dexter Romweber and his drummer Crow on a rock and roll tour along the same route as General Sherman. The film was not finished due to many circumstances, but the filmmakers were able to resume the film seventeen years later. After major TV appearances, a stint on a major label, bouts of depression and drug addiction, the film took on a different tone and poignancy.

In this artistic exploration of the life and work of writer Henry Miller, filmmaker Joe Kishton skillfully weaves clips of films and interviews of Miller with the music of Laurie Anderson. From Miller himself we hear of his difficult relationship with his parents, and of his need to create, even (or especially) when his message abrades social mores.

In the first half of the 19th century, the French ornithologist Jean-Jacques Audubon travelled to America to depict birdlife along the Mississippi River. Audubon was also a gifted painter. His life’s work in the form of the classic book ‘Birds of America’ is an invaluable documentation of both extinct species and an entire world of imagination. During the same period, early industrialisation and the expulsion of indigenous peoples was in full swing. The gorgeous film traces Audubon’s path around the South today. The displaced people’s descendants welcome us and retell history, while the deserted vistas of heavy industry stretch across the horizon. The magnificent, broad images in Jacques Loeuille’s atmospheric, modern adventure reminds us at the same time how little - and yet how much - is left of the nature that Audubon travelled around in. His paintings of the colourful birdlife of the South still belong to the most beautiful things you can imagine.

Hugh Jackman, Ryan Reynolds, and director Shawn Levy sit down and spill the proverbial beans about how "Deadpool & Wolverine" was conceived, carried to term, and then birthed.