Like We Used To

Stranded in a small village during Earth's final days, a man seeks solace in the brief human connections he encounters.

After 15 years of separation, two brothers confront their absent relationship as well as the recent passing of their mother.

Simon Bolivar is the true-life story of the leader of the 1817 Venezuelan revolution.

Cesar and Maria wander around the city like strangers, but are still able to recognize each other through the pain in a short glance, shaped by the violence that has changed their lives.

Empatia por Ulises

The initiation journey of a boy who must leave his childhood behind and become a man in order to keep his family together.

Pana is a popular world from Venezuelan slang that means many things: as a noun it refers to a friend, a good person; as an adjective, it’s a positive quality, someone nice, someone friendly and enjoyable. A coming-of-age story, the short My Pana is also a tale of immigration and exile, a portrait of a teenager adapting to a new society with the few tools he knows to survive: his youth, his body and, ultimately, his own resilience. Through the point of view of a teenager we’ll understand the hardships of million of Venezuelans abroad and the consequences of corruption, exile and the fractured soul of a person who was pushed to leave his true life to adapt to a hostile new place.

Santa Secreto

A very stressed young woman is dismayed to find herself behaving like her own mother, with whom she has an extremely combative relationship.

When Demonetization (currency ban) is announced in India, 3 unlikely characters come face to face for a bag of cash. After that a car journey begins and some more characters come into picture. This results in a cat and mouse game with a very unexpected outcome.

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

ETERNAL ASHES tells the story of a mother, Ana and her daughter, Elena. Although they are separated, in the space and time they remain united forever. The people and the millenarian culture of Yanomami are the framework of this story about the unbreakable bonds of filiations. After an accident in the furious flow of the mythical Orinoco River, in the fifties, Ana was considered dead. Elena as an adult and facing the negligible possibility that her mother is alive decides to leave to the Amazon to search her. ETERNAL ASHES is a story of filiations, poetry, wisdom and especially of humanity.

El Regreso is a venezuelan movie written and directed by Patricia Ortega, which tells the story of a Wayuu girl that survived the slaughter of his people, in Bahía Portete from the Colombian Guajira, and therefore, she is forced to grow in a unknown world to her.

It’s Karla’s first birthday away from home. And music will be her way back.

Confessions of a father to his deceased daughter.

Pablo is a young man going through a crisis of love. His best friend decides to take him to reunion party; there he encounters Daniela, the great love in his adolescence. In the middle of the party he tries conquer her heart, but discovers a reality that he did not expect of her: she is dedicated to the oldest trade in the world

Five stories, five perspectives on the same emotional territory called “country.” A Cuban actress tries to make her way in Chile; two women reunite after decades and confront the passing of time; another survives in solitude while facing her fears; a father and son seek reconciliation amid old wounds; and a birth turns into a desperate race for life. Five intertwined stories—small tales of love, loss, and hope—forming an intimate mosaic about identity, belonging, and the search for a place in the world.

The first Venezuelan feature-length sound film.

A young woman meets a stranger at the train station. Their train was cancelled, and they both have to wait for the next one. They decide to spend the four-hour wait in each other’s company.

Andrés and Julissa now parents to a seven year old Carlitos struggle to live happily as a family despite being fervent fans of rival teams and of Vicente's (Julissa's father) disapproval.