Like We Used To

Roberto is a middle class working professional trying to survive hyperinflation amid the Venezuelan crisis while maintaining his unemployed mother. An argument breaks out when she asks him to buy flour for her birthday cake. In an effort to make amends, he resorts to the black market to buy the scarce food, but gets caught in the violent looting of a market.

Lee's life changes when he wins the lottery, only for his new girlfriend's ruthless ex to steal the ticket. As lust, greed, and vengeance collide, this love triangle plunges into a deadly showdown.

In a school of separate worlds, boundaries have been set and lines have been drawn. Their love will break the rules.

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

El Regreso is a venezuelan movie written and directed by Patricia Ortega, which tells the story of a Wayuu girl that survived the slaughter of his people, in Bahía Portete from the Colombian Guajira, and therefore, she is forced to grow in a unknown world to her.

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

When Demonetization (currency ban) is announced in India, 3 unlikely characters come face to face for a bag of cash. After that a car journey begins and some more characters come into picture. This results in a cat and mouse game with a very unexpected outcome.

ETERNAL ASHES tells the story of a mother, Ana and her daughter, Elena. Although they are separated, in the space and time they remain united forever. The people and the millenarian culture of Yanomami are the framework of this story about the unbreakable bonds of filiations. After an accident in the furious flow of the mythical Orinoco River, in the fifties, Ana was considered dead. Elena as an adult and facing the negligible possibility that her mother is alive decides to leave to the Amazon to search her. ETERNAL ASHES is a story of filiations, poetry, wisdom and especially of humanity.

Ana walks Valencia with a thousand dollars in her bag, but every turn reveals what it really cost her. A debut short film, made in Venezuela.

A very stressed young woman is dismayed to find herself behaving like her own mother, with whom she has an extremely combative relationship.

Pablo is a young man going through a crisis of love. His best friend decides to take him to reunion party; there he encounters Daniela, the great love in his adolescence. In the middle of the party he tries conquer her heart, but discovers a reality that he did not expect of her: she is dedicated to the oldest trade in the world

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

Simon Bolivar is the true-life story of the leader of the 1817 Venezuelan revolution.

Una Isla

Andrés and Julissa now parents to a seven year old Carlitos struggle to live happily as a family despite being fervent fans of rival teams and of Vicente's (Julissa's father) disapproval.

A premature birth in the middle of the darkness of the 2019 national blackout in Caracas, Venezuela.

Simón, a Venezuelan freedom fighter exiled in Miami, copes not only with trauma, but also deep guilt over a choice he must make: stay in Miami and start a new life, or return home to the losing fight against a tyrannical regime.

Based on the story "The monster in my room" by Miguel Angel López, a girl recounts living with her mother and a monster that stalks her at night.

A moment in the life of Jacques and Kathleen, a Haitian couple confronted with the expiration of their Temporary Protected Status. Their story reflects the real fear and uncertainty thousands of families are living through right now.

Caracas, las 2 caras de la vida