James Baldwin Abroad

A short film about a small town where the past and the present are difficult to tell apart.

In conversations with passionate sociologist and political thinker Jean Pichette, the filmmaker views the forced downtime stemming from the current crisis as an opportunity to rethink our modes of existence and our relationship to others, nature, science, the economy, art, politics—in short, everything that makes us human.

Saint-Germain-des-Prés, un paradis perdu

Footage yarn sliding over trees, fields, buildings, bulldozers, power lines... while a monotonous hum exacerbates the images.

A homage to Andrei Tarkovski made for the Spanish edition of the Chris Marker movie 'Une journée dans la vie d’Andrei Arsenevich'.

A videographic snapshot of one of the most bizarre points in human history.

Den s Petrem Čechem

Since Rosa was little, people used to say around town that her grandfather was a black dog. The legend, belonging to the Valley of Oaxaca, spoke of a man who had the ability to turn into a black dog and roam the streets at night. Through images of the town, interviews with the brothers and animated interventions, the documentary tells the story of the myth and its importance in the collective memory.

Animated training film depicting the fundamentals of electricity and how electrical signals can be used to keep an airplane on correct course and altitude through an autopilot.

Captures the spirit and essence of the great San Francisco Human Be-In of January 14, 1967. Ten thousand people imbued with peace, love and euphoria. Set to hard rock such as only San Francisco blues can produce. BE-IN contains Allen Ginsberg, Lawrence Ferlinghetti, Timothy Leary, Michael McClure, Lenore Kandel and Buddha. Music by Blue Cheer.

A mini-documentary which further explores allegations made in HBO’s Leaving Neverland, that the King of Pop sexually abused two young boys. Through interviews with those closest to the situation, as well as members of Jackson’s family, the film sheds light on information that was excluded from HBO’s broadcast.

In Indonesia, in the Padang district, an open landfill site borders the forest. A landscape of precipitous terrain, with its crest lines and its chasms, serves as a pasture for several hundred cows. Amidst the dance of the diggers and trucks discharging their loads onto the slopes of a mountain of rubbish, a herd makes its way through the chaos, in search of something to graze. This nightmarish decor in which bovines live, copulate, play, sleep and die, becomes the scene of an appalling spectacle.

Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.

Short documentary about an archetypal library concept for kids in Clamart.

Tanovic himself a refugee from Sarajevo interviews a Bosnian refugee in Brussels their new adoptive country Belgium.

Documentary about two sisters in Kosovo who have become deminers to escape joblessness.

Two dedicated high school band directors—one black, one white—were inspired by music to cross the color lines of segregation and work together for the sake of their students. This courageous cooperation resulted in the experience of a lifetime for both black and white students traveling from the Deep South to the 1964 New York World’s Fair. Featuring interviews with band directors and former students, many of whom are now professional musicians.

This film is a story about that time in the Baltics, Latvia, and Riga. Young rebels of 1960s – nonconformists, hippies and beatniks – have turned into a generation of well-known writers, poets, musicians, directors, as well as politicians of the new independent Latvia. The ones who were 18, 20, or 25 in 1960s are half a century older today. The protagonists of the film are united by the bohemian gathering place of their youth, a small nameless cafe in the Old Town of Riga, commonly referred to as “Kaza” (The Goat). This place is surrounded by legends, myths and humorous stories.

A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.