Hypnosis Mic: Division Rap Battle - Rule the Stage [Dotsuitare Hompo vs Buster Bros!!!]

Blu-ray release of character rap project “Hypnosis Mic -Division Rap Battle- Rule the Stage [Fling Posse vs MAD TRIGGER CREW]”.

Blu-ray release of character rap project "Hypnosis Mic -Division Rap Battle-: Rule the Stage -track.1-". Special Feature / Bonus Track: bonus video footage

Hypnosis Mic -Division Rap Battle-: Rule the Stage -track.2- released on Blu-ray. Special Feature / Bonus Track: bonus video footage

Footage release of stage play "Hypnosis Mic -Division Rap Battle-: Rule the Stage -track.3-" held in October 2020 at Tokyo Dome City Hall. Special Feature / Bonus Track: Curtain Call, Special Talk Session & Documentary

Stage play "Hypnosis Mic -Division Rap Battle- Rule the Stage -track.4-" footage will be released! The stage plays were held from FEB 5 through MAR 7, 2021. Special Feature / Bonus Track: Bonus video footage

Captures the performance of "Battle of Pride" held on August 25 in Yokohama. Special Feature / Bonus Track: bonus videos: "Hypnosis Mic -Division Rap Battle-: Rule the Stage -Flava Edition-" (60 min. approx.), "Documentary of Rule the Stage -Battle of Pride-" (100 min. approx.)

Blu-ray release of character rap project “Hypnosis Mic -Division Rap Battle-: Rule the Stage [Bad Ass Temple vs Matenro]”.

Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.

Donizetti’s bubbly romantic comedy about a spunky landowner, a hapless peasant, and the dubious love potion that may or may not bring them together never fails to delight audiences. In this performance from the Met’s Live in HD series, South African soprano Pretty Yende stars as Adina, imbuing her character with lovable warmth while tossing off effortless coloratura passages from beginning to end. Tenor Matthew Polenzani is Nemorino, Adina’s love-struck admirer, who pours out his heart in the moving aria “Una furtiva lagrima.” The cast also includes baritone Davide Luciano as the swaggering Sergeant Belcore and Ildebrando D’Arcangelo as the wily Dr. Dulcamara, and Domingo Hindoyan conducts Bartlett’s Sher’s charming and colorful production.

A film exploring the life of “Weird Paul.” After 30 years, 2000 videos, 800 songs, & 42 albums, he’s still not giving up on his dream.

A rarely performed bel canto gem, Rossini’s Semiramide returned to the Met for the first time in nearly 25 years during the 2017–18 season. Set in ancient Babylon under the reign of the mythic Queen Semiramis, the opera features political scheming, mistaken identity, divine intervention, and bloodthirsty revenge—not to mention one virtuosic vocal display after another. Soprano Angela Meade is the fierce title monarch, whose quest for power comes to a halt with the discovery that the object of her affection, the warrior Arsace—sung by mezzo-soprano Elizabeth DeShong—may actually be her long-lost son. Together, the two square off in a pair of dazzling duets and deliver some of the opera’s most challenging arias. Bel canto specialist Maurizio Benini takes the podium to lead a cast that also stars tenor Javier Camarena as the ardent prince Idreno, bass Ildar Abdrazakov as the scheming Assur, and bass Ryan Speedo Green as the stern high priest Oroe.

Two men enter a bet with intriguer Alfonso that their women will stay true, but disguise themselves, switch partners, and regretfully seduce their targets.

Premiered immediately before the enduring masterpieces Rigoletto, Il Trovatore, and La Traviata, Luisa Miller incorporates the youthful vitality that had made Verdi an international sensation while also looking forward to the dramaturgical discipline and sophistication of those later works. In this Live in HD performance, soprano Sonya Yoncheva takes on the riveting title role, capping off a season in which she starred in three cinema transmissions. As her father, Miller, the legendary Plácido Domingo adds another baritone role to his extensive repertoire. Tenor Piotr Beczała as Rodolfo, Alexander Vinogradov as Count Walter, and Dmitry Belosselskiy as Wurm round out the illustrious cast, and Bertrand de Billy conducts.

The 2017–18 Live in HD season concluded with an enchanted performance of Cendrillon, Massenet’s glittering operatic adaptation of the Cinderella story. This charming staging by Laurent Pelly, which bursts to life with the director’s characteristic wit and whimsy, stars American mezzo-soprano Joyce DiDonato as the title outcast-turned-princess. Mezzo-soprano Alice Coote offers a touching portrayal of the pants role Prince Charming, while soprano Kathleen Kim shines as the Fairy Godmother. Mezzo-soprano Stephanie Blythe, as the outlandish Madame de la Haltière, and bass-baritone Laurent Naouri, as the haggard Pandolfe, round out the principal cast. On the podium, conductor Bertrand de Billy leads a performance that is equal parts madcap comedy and heartfelt romance.

Polish blues rock

Conflict between the "haves" and "have nots" in a feudal state, is spearheaded by an outlaw, with his band of associates, horse and dog, providing all action, suspense and tempo. The chief minister and his supporters try their best to thwart the revolt which ultimately succeeds in unexpected way. - It was a unique world for "Baazigar", where the pattern of society was thrilling, fascinating and with liberty - a strange socialistic pattern!. . The chief Minister of State Mansingh believed that Baazigar is a dangerous blood-thirsty dacoit of notorious indetification in society!

live performance from The Script at Pinkpop festival 2023

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