Luigiho srdce aneb Poprava tupým mečem

In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.

A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.

Filumena Marturano is a former prostitute who has been living for years with Domenico Soriano, a wealthy Neapolitan pastry chef who was once her client. To force Soriano into marriage, the woman pretends to be dying in order to invoke a "deathbed" wedding, but the charade fails and Don Domenico tries everything he can to annul the sacrament. Filumena is forced to come clean.

During a writing slump, playwright J.M. Barrie meets a widow and her four children, all young boys—who soon become an important part of Barrie’s life and the inspiration that lead him to create his masterpiece. Peter Pan.

Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weaknesses, to belittle the other's life, and to humiliate the other thoroughly.

Pierre and Aline, in their fifties, decide to take advantage of their guest house one last time by inviting friends. It's the turn of Max, Pierre's childhood friend, and his wife Charlotte to be invited. The week promises to be beautiful, between the Avignon Festival and good food and drink. But how can we keep these childhood friendships alive, when the life paths of each of them have diverged over time.

David Ireland's award-winning dark comedy about sectarian hatred in Northern Ireland. Eric Miller, a Belfast loyalist, mistakes his five-week-old granddaughter for Gerry Adams.

Based on the short story by Anton Chekhov, Kama Ginkas’ astounding reimagining highlights and builds off of the Chekhovian tension between the beauty of life and the tragedy of how it is lived. The story tells the the tale of philosophy student Andrey Vasil'ich Kovrin. On the verge of a nervous breakdown, Kovrin decides to visit his childhood friend Tanya Pesotsky at the estate of her father. As he and Tanya develop a relationship and eventually marry, a black monk of legend begins appearing to Kovrin in visions. Though these hallucinations at first imbue the young man with joy and energy, they eventually lead to his ruin.

As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.

Amitiés sincères

After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.

A struggling actress is cast in her last off (off) Broadway show - a modern take on “A Christmas Carol” - before giving up her dream and moving home. Instead, she finds romance with her director and a renewed passion for her craft and the city. But when the historic theater loses its lease and the show is set to fold, she and her cast mates are need of a Christmas miracle.

Gabriela Preissová wrote her two most famous dramas, Gazdina roba and Její pastorkyňa, when she was not yet thirty. Both were set to music and became famous. The first opera, entitled Eva, was written by J. B. Foerster, and the second by Leoš Janáček. The fame of Janáček's work greatly overshadowed the original. On the other hand, "Gazdina roba," the author's debut work, is still performed on Czech stages, regardless of the era. That is how powerful and impressive this drama is. The production by director Zdeněk Kaloč premiered at the Vinohrady Theater in May 1992. Dagmar Veškrnová endowed the title role of Eva the seamstress with warmth, temperament, pride, and tragic shadows.

9-year-old Jewish boy Jimmy dresses up as a Sheep for a school play, much to the chagrin of his mother. On their way to school, Jimmy and his mother suffer through a series of unfortunate mishaps that see them in a state of stress and pushing for time.

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.

A police drama that chronicles the efforts of a police officer to uncover an unexplained murder case that blends the lives of two women and a theater actor, the victim of an "artistic" shot, part of a play.

A man thinks he is not the father of his presumed daughter.

On the occasion of the fiftieth edition of the French Theater Festival in Israel, Francis Huster takes to the stage in Tel Aviv to perform the play "Molière, le magnifique." This is an opportunity for him to introduce Molière's language to novices and to showcase his work, which still touches and speaks to us today. Recorded for Olympia TV (Canal+ Group) during the 5th edition of the Horizons Festival at the Beit Lessin Theater in Tel Aviv on October 26, 2022, in Israel.

The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.

A struggling actress becomes entangled in an abusive relationship with her idol at a cult-like New York theatre company.