Z Karviné do Carnegie Hall

Песни родной стороны

Šibi-ryby, mastné ryby

An ethnographic documentary following the Folia de Reis party that is celebrated every year at Morro de Santa Marta on Rio de Janeiro.

Living in forests untouched by man, these gracious and mysterious fairies use their magical powers to send blessings upon Earth. Do not take their kindness for granted. Especially on the night when the sky opens.

Slovácká kubaňa

In a small Southern town, a plantation owner is duped into thinking a thief is a kind stranger. To repay the stranger for stopping a robbery, the plantation owner invites him to his home to meet his daughter.

Venerdì Santo - Bronte

Echando Raíces

A powerful cultural documentary about a Caribbean father and son who return to Grenada to reclaim ancestral stories. Blending folklore, myth, and underwater visuals, the film preserves Black heritage and reframes the feared Jab Jab as a symbol of resistance and identity.

Stephen Fry embarks on a journey to discover the stories behind some of the world's most fantastic beasts that have inspired myths and legends in history, story-telling and film.

"21 Days" illustrates a love triangle starring Bete, her boyfriend, Jonas and Agatha, a childhood friend of Jonas. Told from three different points of view, the narrative was inspired by the songs "cardigan", "august" and "betty", from the album "folklore" by singer Taylor Swift.

Lovely overview of traditional Slovak Christmas.

The film presents a parade of customs, music, songs and dances of the Slovak people in four seasons, based on a theatre play by I. Teren and K.L. Zachar from the first years after the liberation.

Chan Kwai-sheung visits the brothel with So Tung-bo while his wife, Lau Yuk-ngo, is sleeping. As this is the first time Sheung did this, Ngo wants him to suffer and so makes him wear a lamp on his head. During the Lantern Festival, the Emperor has fun with his officials. After a few drinks, Bo says that Ngo has lost the virtues of a woman. Ngo immediately appeals to the Emperor. All the women there, including the Empress, say that Bo should be punished. Bo is unhappy and invites his cousin, Kam Cho, seduce Sheung to make Ngo unhappy. Sheung, a philanderer, schemes to take Cho as his concubine. Ngo finds out and beats him. Bo urges Sheung to divorce Ngo. Ngo is furious and lodges a complaint with the imperial court. The Emperor allows Sheung to have a concubine. Ngo pleads that she would rather drink poison than let Sheung take a concubine. Feeling remorseful, Sheung drinks the poison after his wife. Fortunately, the queen has switched the poison with vinegar. The couple reconciles.

In the frigid waters off of Russia’s Bering Strait, Inuit and Chukchi hunters today still seek out the giant sea mammals that have provided their people with food since time immemorial. It is known, that the whale hunting today is controversial and subject to international criticism and regulations. But the Inuit and Chukchi hunt is permitted by international law because of the whaling is the foundation of their culture and their life. The contemporary story of elders Aleksandr and Aleksei blends seamlessly with that of “the woman who gave birth to a whale” and other ancient myths, told here in vivid animation, in this ongoing struggle for survival and preservation of a traditional lifestyle in one of the most remote places on earth.

In a remote mountainous village elderly people no longer deemed productive are stoned to death.

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.

The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.

No one could spin a yarn to make a sale like Ray Lum. Twenty years after their initial meeting, Bill Ferris returned home to Mississippi in the early ‘70s with a camera. The result reveals a look back at the colorful rhythms of Ray’s life—at home, at the auction, joking with strangers outside country stores— and provides a glimpse at Southern manhood, friendship and loss. Now nearly Ray’s age when they first filmed, Ferris has become a Grammy Award winning documentarian and renowned folklorist. Using never before seen 16mm footage and new animations, OKAY, MR. RAY is a short documentary film about how even the tallest tales help us keep the memory alive of the ones we love.

Under the tutelage of anthropologist Franz Boas (her former Columbia professor) and Harlem Renaissance arts patron Charlotte Osgood Mason, Zora Neale Hurston spent nearly two years, from 1927 to 1929, studying the folkloric customs, work songs, spirituals, and vernacular language of African American communities along the River Road and from New Orleans to Florida.