Vinšujem Vám Nový rok hojný

Jízda králů

Terchovská muzika

A trip through the diversity of black and native Peruvian music. Character-driven film, one where the characters are integral to the nation itself. This movie delves into music and musicians, yet it's not strictly a musical; rather, it's a tapestry of seemingly disparate personal narratives woven together in a country also striving to define itself and sketch its identity

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

This is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Trinh T. Minh-ha deconstructs the role of ritual in mediating between the past and the present.

Edward Said, a Palestinan writer, academic and exile, talks about his book "Culture and Imperialism" and explains how the attitudes forged over the last 200 years continue to enforce the relationship between the west and the developing world.

“Te Pito o Te Henua” (The Navel of the World) tells the story of the community behind Rapa Nui’s largest and most colorful annual Indigenous celebration, the Tāpati Rapa Nui Festival. Honoring ancient rites and competitions, Rapa Nui families participate in nine days of athletic feats, cultural demonstrations and ceremonies paying respect to the land, water and other natural beings of the island. They also crown a Queen to represent her people for a year throughout Polynesia and on the world stage. The film traces the journey of 19-year-old candidate Vaitiare and her family as they join work to earn her the crown and represent this small but well-known island as its people fight for increased autonomy and recognition on the world stage. Through intimate character portraits, behind-the-curtain moments and heartfelt musical performances, “Te Pito o Te Henua” reveals the true meaning of Tāpati and the deep connections the Rapa Nui share with their lands and waters.

The documentary, filmed in England in autumn 2020, sheds light on the genesis and background of the social drama.

Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.

Sale race

First broadcast in 1987 on the UK's Channel 4, Bombin' is a documentary about Afrika Bambaataa's Zulu nation bringing American hip-hop culture to the UK for first time. The main focus is the graffiti art of Brim and the variety of reactions he is faced with from the British public and press.

Karol Plicka was an important musician and composer. He recorded folk songs immediately after hearing them in musical notation to preserve them for future generations. Similarly, he records and interprets traditions associated with dance, folk song and local stories that vary from region to region in his film The Eternal Song. The short documentary presents merry-making in Slovak and Czech regions that are changing with the coming modernization and transformation of musical records.

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.

The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.

In a remote mountainous village elderly people no longer deemed productive are stoned to death.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Hudba Svetozár Stračina

Sadíme my máje

For the Yamakasi the "Art of Displacement" is a way of life. Racing through the new cities that ring Paris, climbing walls, swinging from balconies and leaping across rooftops, they transform the oppressive concrete architecture into places of fantasy, possibility and play. The heart of our documentary is the story of how the Yamakasi are transforming the youth of the suburbs, and themselves, through discipline, will and desire. Now, as the Art of Displacement is being embraced as an extreme sport and urban pastime, will the social message be transmitted as well? What is it for the new generation?

Piesne Liptova