Our Cinema

Documentary about Buster Keaton's The 'High Sign' (1921) and Keaton's developing style.

Short documentary on the making of Buster Keaton's One Week.

Documentary about the development of Buster Keaton's The Haunted House (1921).

The actors in My Wife's Relations (1922) are discussed in this documentary.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

A feature-length documentary focusing on the acclaimed work and eclectic career of maverick filmmaker Larry Cohen, writer-director of "Black Caesar," "It's Alive," "God Told Me To," "Q," "The Stuff," and many more.

Heroes from the GDR's past are presented. Heroes will also be needed in the future.

A documentary about the possible ties between H.P.LOVECRAFT and the Polesine region (Italy), stimulated by the casual discovery of a mysterious manuscript attributed to the great American horror writer died in 1937.

A short documentary on Buster Keaton's The Frozen North (1922), regarding how the events of Fatty Arbuckle's trial and William S. Hart's quick condemnation of Arbuckle, were reflected in the film.

Documentary on Day Dreams (1922), a Buster Keaton silent comedy.

This visual essay by John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, reveals the locations where Keaton's 1923 comedy feature Three Ages was filmed in Hollywood, USC, and Los Angeles.

This visual essay by John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, reveals the locations where Keaton's 1924 comedy feature Sherlock Jr. was filmed in Hollywood and Orange County.

In this visual essay John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, pinpoints the locations used in the filming of The General and offers glimpses of how they look today.

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.

Four documentary scenes with subtitles document the year 1917 as the beginning of a new era. In addition to the military situation and the supply situation in Germany, the intervention of the USA and the events in Russia are shown in particular.

While shooting “Flying over blue field” we lived in Birtonas sanatorium hotel. I was watching treatment procedures. People were plunging into bubble, mud and mineral water baths. They were going circles singing, were standing under cold water spouts. All this seemed like a sacred ritual, that frees from scurf of life. They were naked, like just born, without any signs of standing in society. Movie – silent impression about tired people "harbour".

Skateboard film from Element Skateboards. Sequel to Elementality: Volume One. Featuring Nyjah Huston, Bucky Lasek, Bam Margera, Mike Vallely and Jeremy Wray.

The lives of Jeff, Lauren and Lloyd—three very different people who share one common experience—have been transformed by speaking up for mental health. These inspiring stories depict what mental health in America really looks like and highlights just how important it is to speak up and seek help.

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.