A documentary detailing the making of the cult favorite "Plan 9 from Outer Space," featuring interviews with cast members and prominent filmmakers about the film, its lasting legacy, and its creator, Edward D. Wood Jr.
This film was broadcast on La Sept in October 1990 as a part of Hélène Mochiri's Cinéma de poche program devoted to Soviet cinema. The documentary was produced in-house at La Sept and based on an exclusive interview with Alexei Guerman in May of that year. It has not been seen since.
An overview of the history of Great Britain's Amicus Films, which was a rival of Hammer Studios in the horror field. Included are interviews with company co-founder Max Rosenberg, cameraman Freddie Francis and director Roy Ward Baker, and clips from various Amicus productions.
An interview with director Paul Annett, focusing on his cult film The Beast Must Die.
Artificial intelligence is taking on different roles in the filmmaking space. The questions we must ask ourselves are: what are the pros and cons of this advancement? How can we work with it, and what power do we have as human beings in the face of this technology?
A new documentary film revisits the golden age of kung fu stuntmen and action directors in Hong Kong during the 1960s-'80s, exploring their pain and struggles. The documentary is a tribute to kung fu stuntmen. “They risked their lives for stunts,” said kung fu choreographer Yuen Bin. In their heyday, these stuntmen and choreographers presented the best, most creative and most complicated kung fu fight sequences anywhere in the world, creating stunts that looked seemingly impossible.
Cousins Menahem Golan and Yoram Globus relive the creation, rise and fall of their independent film company, Cannon Films. This documentary recounts their many successes and discusses their eventual downfall.
This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.
Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.
Feature-length documentary on the making of HOT DOG... THE MOVIE.
In this filmed version of cult film director John Waters' popular one-man show, the Pink Flamingos and A Dirty Shame director takes the stage to discuss everything from his early influences, fondest career memories, and notorious struggles against the MPAA rating system. Part endearing memoir and part hilarious lecture, This Filthy World touches on everything from the insanity of contemporary pop culture to the director's unforgettable early collaborations with inimitable Pink Flamingos star Divine.
Negev Desert, Israel, 1987. Bashir Abu Rabi'a works as a pyrotechnics and special effects assistant on the film Rambo III, starring Sylvester Stallone, a shoot that will have far-reaching consequences for the local Bedouin population.
The 1960s opened with La Dolce Vita by Federico Fellini and its unforgettable lead: Marcello Mastroianni. The actor seemed to glide effortlessly through his roles — and through life — as if to say that life is not all that serious, or perhaps that it is far too serious not to be laughed at. But what kind of man was hiding behind the actor with the handsome, boyish looks, who appeared so gentle and nonchalant?
A collection of deleted scenes and bloopers from the library of Toho Studios films, including several films from the famous Godzilla franchise.
Behind the scenes of Roger Corman's Galaxy of Terror.
Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).
The story lives forever in this feature-length documentary that charts the making of Star Wars: The Rise of Skywalker.
Nigeria's film industry, Nollywood, is the third-largest in the world--an unstoppable economic and cultural force that has taken the continent by storm and is now bursting beyond the borders of Africa. "Nollywood Babylon" is a feature documentary detailing the industry's phenomenal success. Propelled by a booming 1970s soundtrack of African underground music, the movie presents an electric vision of a modern African metropolis and a revealing look at the powerhouse that is Nigerian cinema.
Our Cinema
Julian has agreed to help Henry make his first film--but, on the day of shooting, Julian shows up having taken four tabs of LSD. Across the streets of Toronto, the two friends battle for control of the frame and struggle towards the meanings of art and communication.