The Soviet Union's Last Stand

Cold War Leningrad: In a culture where the recording industry was ruthlessly controlled by the state, music lovers discovered an extraordinary alternative means of reproduction: they repurposed used x-ray film as the base for records of forbidden songs. Giving blood every week to earn enough money to buy a recording lathe, one bootlegger Rudy Fuchs cuts banned music onto such discarded x-rays to be sold on street corners by shady dealers. It was ultimate act of punk resistance, a two-fingered salute to the repressive regime that gave a generation of young Soviets access to forbidden Western and Russian music, an act for which Rudy and his fellow bootleggers would pay a heavy price.

This FitzPatrick Miniature visits the Union of Soviet Socialist Republics (USSR), the largest geographically unbroken political unit in the world, covering one-sixth of the world's land mass.

The explosion at Chernobyl was ten times worse than the Hiroshima bomb and was due to a combination of human error and imperfect technology. An account of the sixty critical minutes prior to the explosion of the nuclear power plant on the night of April 26, 1986.

In the summer of 1989 tens of thousands of tourists from communist East Germany came to Hungary. They were deeply disillusioned because they felt they had no future in East Germany. There was no freedom, no choice in the shops, salaries were low and they could not travel except to Eastern Europe. They wanted to go to a prosperous and free West Germany but they could not get passports, so they hoped that by travelling through Hungary, the least suppressed country of the Soviet Block, they could cross the Iron Curtain into Austria and then travel on into West Germany. For them the Hungary of twenty years ago was the new east-west passage. Written by Czes

From 1989 to 1991 a string of unpredictable events happened that brought to light the rivalry between two men: Gorbachev, hindered by the economic results of his perestroika, and Yeltsin, embodying the hopes of the Russian people. Illustrated with interviews of top protagonists such as Mikhail Gobachev himself, the documentary recounts the critical last two years of the former USSR.

How could Hitler and Stalin, sworn ideological enemies, come to a secret pact in 1939? The captivating and detailed story of the diplomatic fiasco that led to the signing of the Nazi-Soviet pact and its devastating consequences.

Definitively proving that all the "B" Science Fiction of the 1950s and 1960s do not hold a candle to the 'real thing,' Pavel Medvedev's surreal 45 minute documentary Ascension is certainly one to look for. Composed entirely out of archival footage, much of it from the Soviet science and space archives, delicately scored and building to an undeniable mood of surreal (perhaps even ominous) energy, it charts (and re-purposed) the progress of man into to the unknown area of space exploration with a flair for creating art out film that was shot by scientists and engineers as a mundane record.

Showing Sergei Parajanov at the end of his life, the film depicts the suffering of a genius against the backdrop of general anxiety and carelessness.

Russia is grappling with a critical issue: they have become the country with the most at large serial killers in the world particularly concentrated in Rostov, the same city that witnessed Andrei Chikatilo's infamous killing spree. In response, law enforcement has turned to Dr. Alexander Bukhanovsky, a prominent psychiatrist and criminal profiler, who is implementing radical measures to understand the root causes of this phenomenon and develop effective solutions. Within Dr. Bukhanovsky's clinic, we encounter three of his young patients: Edward and Igor, whose families express deep concerns about their disturbing fantasies, and 'Mischa', who has perpetrated acts of torture and sexual assault. Dr. Bukhanovsky's approach is groundbreaking, offering treatment to potential serial offenders. However, critics argue that by keeping individuals like 'Mischa' anonymous, he may inadvertently shield them from public awareness and accountability, prompting debate over the ethics of his methods.

Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).

1979. Flicking through pictures from a Soviet magazine, 15-year-old Martim dreams of building a new society. His radical communist parents send him to study at Astrakan for one year. In her new film, Catarina Mourão captures with tremendous precision the moment a middle-aged man passes his story on to his son, thus shedding the taboo of his ineffable experience.

Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.

A documentary about Fidel Castro's visit to the USSR from April 28 to June 3, 1963 and how the Cuban leader traveled throughout the Soviet Union for 40 days, from Severodvinsk to Khiva in Uzbekistan.

Rouge ! L'Art au pays des soviets

The story of Russian writer and Soviet dissident Aleksandr Solzhenitsyn (1918-2008) and his masterpiece, The Gulag Archipelago, published in Paris in 1973, which forever shook the very foundations of communist ideology.

Hitler's invasion of Russia was one of the landmark events of World War II. This documentary reveals the lead-up to the offensive, its impact on the war and the brinksmanship that resulted from the battle for Moscow. Rare footage from both German and Russian archives and detailed maps illustrate the conflict, while award-winning historian and author John Erickson provides insight into the pivotal maneuvers on the eastern front.

The long lasting Palestinian-Israeli conflict has created appaling phenomenons that have horrified the Israeli society. the "politically conscience-refusals" or those individual soldiers refusing to fight in the occupied territories, are one of those phenomenons. In opposition to them stand a thousand immigrants from the former Soviet Union, ex-military men from the Red Army, who yearn to be recruited into the IDF and fight for Israel, but who are denied the right to serve in the army. Through the stories of Oleg and Alex, immigrants and the battalion's charismatic commanders, the story of the Russkii Battalion is told. It is a story of contrasts between the hardships of the daily struggles they face as new immigrants against the pride and the sense of belonging they find in the battalion. The Russkii Battalion is a film about a militaristic social bubble, in a country that is in constant war.

Choosing the fate of a rock musician was similar to being a dissident. From the 60s, the Soviet Union tried to discourage and restrict the expansion of rock music by any means. They called it the “rotten fruit of degraded capitalism, demoralizing the minds of Soviet youth”. Despite that, rock music broke the wall – made a hole in the Iron Curtain – and gained the hearts and minds of tens of thousands of young people.Rock musicians were on the frontline of the rebellion against the Soviet regime. Despite censorship, they managed to deliver, in a hidden, roundabout way through lyrics and music, the spirit of nonconformity and freedom of choice to their audience. A film about Latvian and Soviet rock pioneers, their lives and destinies.

Thirty years after the Chernobyl disaster, which occurred on the night of April 26, 1986, its causes and consequences are examined. In addition, a report on efforts to strengthen the structures covering the core of the nuclear plant in order to better protect the population and the environment is offered.

Raimonds Pauls is almost 85 years old, rehearses almost every day and performs at least once a week. What drives him? Not only he is the most popular composer in Latvia: his songs are sung all over the world. "Dāvāja Māriņa" is so popular in Japan that Paul received the Japanese Order of the Rising Sun. In concerts, he collaborates with world stars of Latvian origin - soprano Elīna Garanča, organist Iveta Apkalna, conductor Mariss Jansons. The Latvian Television film crew follows him during the pandemic, realizing that the restrictions and threats of Covid-19 hardly stop the Maestro in the course of his eternal engine. How does he cope with the challenges that time imposes on a person's physical form and the loneliness when most friends have passed away? What is the source of his inexhaustible lifestyle and creative spirit?