Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.
In this 57-second short film, a dog-like doll faces another doll. It begins with an innocent, playful tone, but quickly turns dark and unsettling. Bach’s classical music adds a heavy, melancholic mood to the scene. The Dog of Sarandi Alley is a strange and brief story about violence, loneliness, and the secrets hidden behind the simple faces of toys.
Trapped and alone, a young man must confront the pain he's ignored when he finds himself face-to-face with consequence.
“Omen, a dark and timeless traveler, emerges from the belly of a gutted sheep and finds himself in an unknown void. In this tormented space, a disturbing encounter awaits him: an Enchantress. Through silent revelations and hidden omens, a haunting and supernatural journey begins, in search of meaning beyond appearances.”
"A vampiric Elf awakens in his eerie dwelling, where the arrival of disturbing figures through a mysterious portal unsettles the atmosphere. An enigmatic and mystical journey into the unknown."
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
Visceral is an exploration of love and vulnerability found in new relationships. Meat and organs mix under the camera in a beautiful union to represent the intricacies of a relationship.
Three women with mysterious pasts, a nerdy boy, a company man, and Jesus Christ himself all plunge into an absurdist nightmare when a giant and magical prism descends upon planet Earth and warps reality. Featuring Lloyd Kaufman, Blondie's Matt Katz-Bohen, and a special appearance by indie superstar Mac DeMarco.
It's autumn in New York. Sam has broken up with his girlfriend and his father has recently died. World-weary and sloppy drunk, he finds temporary solace in the arms of Anna, a mysterious vampire who draws him away from his friends and into a web of addiction and madness.
MOURIR EN SILENCE serves as an abstract look at the influence of internet cults and the political climate around them.
Images of a young boy performing in his room in front of the camera to his sexchat audience intertwines with images of masked-men cruising in the darkness. The piece focuses on the psychological and physical suffering of the protagonist.
We propose an experiment to an Artificial Intelligence chat: answer all the questions trying to generate terror.
Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.
Abysse
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
A man sits at the table and eats his meal...with rather unusual effects.
Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?
Ramsés begins to experience disturbing changes in his body and mind, unsettling shifts that disrupt his daily life. Soon he realizes he is no longer alone in his own skin: the demon Asmodeus has taken control. Under this possession, Ramsés is driven into a spiral of desire and violence, seeking out both men and women to consume through blood and sex, feeding the darkest temptations of the demon within. As reality and delusion blur, Ramsés struggles to hold onto what remains of his humanity while Asmodeus leads him ever deeper into a world of lust, horror, and destruction.
There is a ghost of a lost man. He is seen in the phantom zone.