Exploring the conscious, the unconscious and the self, By Winds and Tides takes a deep experimental dive into the birth of an idea—how it takes shape, how it is released. An allegorical quest, the film combines images and words into a singular sigh.
Within the depths of an enigmatic origin, a being flourishes, cocconed in a cocoon akin to that of a caterpillar. This creature, an apparent hybrid, shatters its confinements breaking free and rises in a peculiar, but captivating manner.
An experimental film created from 3 years worth of abstract pencil drawings with the goal of being a catalyst for unveiling a new mental landscape in viewers.
Man often yearns of a past more innocent and pure. This film disregards that sentimentality and depicts a constant, permanent transformation of the landscape of mountains and rivers. A beautiful and intense image poem made from thousands of pencil drawings.
Zeichenfilm II - Fragmente Fragile
Abstract shapes morph in and out of focus.
Experimental short animated film by Péter Molnár
motion capture choreography simulated against motion capture choreography
A young man becomes inundated by strange visions and a local homeless man while he and his acquaintances deal with the aftermath of a major disappearance in their city.
Mass: abstract gravity. Experimental art film created with partially lit paper relief.
Minimalist, geometric shapes are set to processed found noises in a film that takes familiar noises and makes them strange.
Propulsive Polish avant-garde animation following clouds of shapes that resemble nebulae or stellar surfaces.
Cosmos of paint unleash a storm of color.
A time-lapse animated meditation on geothermal energy, erosion, seismic activity and magma. Shot above the Yellowstone Caldera and amongst the Bryce Canyon hoodoos, the film explores how they connect these past cataclysms to the present endangered environment within the sixth mass extinction and future threats to an ecosystem already in collapse. The musical accompaniment, composed and performed by Pauline Kim Harris, is based on a reimagining of the Chaconne from the Partita No.2 in D minor (BWV 1004) by Johann Sebastian Bach.
A mixed media experimental animated film that generates a fragmented view of the world through the partial disclosure of a fantastic event. Day-to-day mystical, trivial and important activity is represented using reoccurring symbolic triggers, both visual and aural.
Stop-motion experiments using B&W 16mm film. Shot using a Bolex, transferred to video, DVD, mp4. No soundtrack.
"These Are the Days is about the passing of time. It is a computer animation of falling paper, with a sound-track of people counting. By combining mathematical models of different physical phenomena such as gravity, elasticity and aerodynamics I can create abstracted simulations of natural systems. As well as the formal qualities that are explored in this work, I am interested in other possible readings. The endless flow of paper suggests the meditative space of a waterfall, yet also speaks of consumption and waste. Our lives are documented by a continual stream of paper, from birth and death certificates to supermarket receipts."
A drug artist designs a new piece that is triggered by exposure to audio visual static.
A student trying to finish a project is messed with by an unknown force in the building. Looking through rooms to figure out what's going on, this force may not be what he expects.
"We are powerfully imprisoned by the terms in which we have been conducted to think.” - R. Buckminster Fuller