A.B.M

José Sirgado is a low-budget filmmaker whose heroin addiction distorts his perspective of the real world. Although he is a depressed and unstable individual, his mood improves when he receives the mysterious films of Pedro, with whom he shares his passion for cinema.

When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.

Adrift in grief, Colby relentlessly pursues the publication of his childhood story as a way to hold onto the brother he lost.

A girl suddenly ends up at a movie theater labeled theater 17. Upon entering, she watches a film compilation of her childhood home videos.

With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.

A charming young boy on a quest of greatness provides hope by teaching those in need, how to do a backflip.

A charming yet mischievous man who navigates his community by scamming people and borrowing money. Despite his deceitful ways, Mabidi tries to maintain a semblance of normalcy at home, where he faces his no-nonsense wife, Maria.

A comedy short staring Robert Benchley. He tries to show us how to make our own movies.

Socially inept 17-year-old cinephile Lawrence Kweller gets a job at a video store, where he forms a complicated friendship with his older female manager.

les murs étaient blancs

After purchasing their home, a young couple begins documenting their lives.

Notable for providing a bucolic, personal view of high-ranking Nazis. Eva Braun was the longtime romantic companion to Adolf Hitler, as well as a photographer and amateur filmmaker. Her 8mm Agfacolor-stock home movies, recorded at her leisure, were seized by the US Army in 1945. They were subsequently assembled into 8 reels, from 28 reels of original camera negatives. The US National Archives received this 8-reel film in 1947, and in 2012 began the digital restoration process.

Comprised of footage shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.

A staged birthday celebration and a visit to the director’s father’s home. From the interplay of memory and imagination, the film explores how family archives shape fictions of the past.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

Filmmaker Julie Buck explores her grandfather’s collection of Super 8 footage; the revelations behind the captured moments of joy reveal dark truths.

1°. Nel porto di Genova, Veliero ("1. In the Port of Genoa, Sailing Ship") is a 1928 silent amateur film by Guglielmo Baldassini, preserved as a 2K DCP from a 9.5mm reversal print without intertitles. Held by Fondazione Home Movies in Bologna, the film shows a sailing ship entering Genoa’s port, likely shot from a small boat. Baldassini, a Milanese painter and etcher, used the Pathé Baby format to capture landscapes and seascapes, often as references for his artwork. His archive includes 95 reels filmed between 1926 and the early 1930s, focusing on family, Milan, coastal scenes, and mountains. He developed his films at home, experimenting with tinting, toning, and exposure correction. Many reels show emulsion decay due to aging and chemical treatments. Notes by Michele Manzolini and Mirco Santi appear in the 44th Pordenone Silent Film Festival catalogue.

A brief amateur silent film (1'54", DCP from 9.5mm reversal, 16 fps) without intertitles, sourced from Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna. It forms part of a larger group of 27 amateur 9.5mm films attributed to Nena Lavello, who was 16 years old at the time of filming. Shot during the spring and summer of 1925, the collection documents a range of domestic and travel scenes, including visits to Sicily, Campania, and northern Italy. This particular film captures moments of leisure and companionship on the beach at Lavagna, reflecting the filmmaker’s early engagement with light, composition, and movement. As noted by Michele Manzolin in the 2025 Pordenone Silent Film Festival catalogue, the footage serves as a visual record of youthful play and friendship, offering insight into the personal and expressive potential of early amateur filmmaking.

A silent amateur film with a runtime of 1 minute and 28 seconds (DCP from 9.5mm reversal, 16 fps), presented without intertitles. Preserved by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna, the film documents a game of tug-of-war on the beach at Lavagna during the summer of 1925. A group of young participants, dressed in bathing suits, engage in the activity while a dog observes from the sidelines. The footage is notable for its stable tripod-based composition and the use of horizontal camera movement to follow the action. At age 16, Lavello demonstrates early technical proficiency and an interest in capturing spontaneous social interaction. As noted by Michele Manzolini in the 2025 Pordenone Silent Film Festival catalogue, the film contributes to a broader visual record of leisure and informal play within early amateur cinema.

A silent amateur 9.5mm reversal film presented without intertitles. Preserved by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna, the film documents a short cruise aboard the ocean liner Rex, departing Genoa on 17 April 1934 and arriving in Naples the following morning. Organised by Genoa’s Company Recreation Club, the voyage served as a preparatory run before the Rex’s transatlantic crossings. The footage includes scenes of the ship and its passengers, with Ludovico Maria Chierici and his son Enrico alternating use of the 9.5mm camera. As Paolo Simoni notes in the 2025 Pordenone Silent Film Festival catalogue, the Rex—a symbol of Fascist Italy and maritime ambition—was later immortalised in Fellini’s Amarcord, despite never having sailed the Adriatic.