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The First part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

The Second part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

Margreth Olin has filmed 22 persons i their meeting with the well known voluntary healer Joralf Gjerstad. For 65 years more than 50.000 has gone to him to be healed from illnesses and ill-doings. He has never asked for a penny for this

His new adventure takes Zanardi to one of the most famous endurance races in the world: The 24 Hours of Spa-Francorchamps. He shares the cockpit of the BMW GT race car with two of the fastest men in the sport: Ex-Formula 1 driver Timo Glock and touring-car champ Bruno Spengler. They form nothing less than an all-star team of race-track pioneers, going beyond limits and limitations. Never before has a handicapped driver competed in a 24 hour race on this level with able-bodied drivers. The documentary covers the whole story: From their first get-together at BMW headquarters in Munich until the lights turn green in Belgium and the Iron Man with plastic legs limps into his racing car, changing seat and steering wheel with his teammate. But for Alex Zanardi, even after the marathon race, his mission is not over. Only four days later, he is eager to defend his white jersey at the Handcycle World Championship in Switzerland - an outrageous challenge, even for the man with no limits.

Interviewees discuss the memories, tastes and experiences that they associate with Africa for a personal vision of the continent.

Five New York divas close up. The thing that in addition to their friendship links these gifted, confident and beautiful women; a painter, an actress and three musicians, is their shared homeland, former Yugoslavia.

The Darkhad and Soyon Uriyanghai peoples live in a vast valley in Northern Mongolia, much as their ancestors have for centuries. "Taiga" is the record of a long period spent by the German filmmaker Ulrike Ottinger among these people.

Maurice Hines, a charming, gay African-American entertainer navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.

Examine the American whaling industry from its 17th-century origins in drift and shore whaling off the coast of New England and Cape Cod, through the golden age of deep ocean whaling, the tragedy of the Essex, and the career of Moby Dick's Herman Melville, and on to its demise in the decades following the American Civil War.

In Out Of The Rubble, Woolcock shows how planners grappled with the grimmest poverty imaginable in the post-war era, from Brixton to Glasgow, Islington to Birmingham, believing that tower blocks would transform the lives of those living in decaying slums. She follows the cycle of optimism, building and eventual decline, meeting people who 50 years on bear witness to the effects of housing on real families, striking a contemporary chord with the theme of immigration and gentrification affecting working class communities. The irresistible nostalgia of scenes from the 1950s, 60s and 70s is tempered by a realisation of the force of history at work.

Jo is a 40-year-old transgender man addicted to cocaine. This addiction prevents him from achieving his transition in good conditions, and from maintaining fulfilling relationships. He is trying to quit drugs and to make a fresh start.

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

Ukraine's topless feminist sensation Femen has created a media frenzy across Europe, but before they take the world by storm, these bold and beautiful women must confront the dark and perverse forces that power their organisation.

Why do you have to do what everyone else does and why does everyone have to look the same? Ninnoc struggles when she is in a group. She doesn't just want to adapt to the others, but she's also afraid of being excluded. Can you deviate in a group? Or will you then end up alone?

A documentary that takes a look at the film and media industry of New Mexico and its impact today.

There are many types of family, but the word's not often applied to a rugby team especially not one entirely made up of gay men. This is the story of the Emerald Warriors, Ireland's only openly gay Rugby team.

Filmed in North Carolina, Tennessee and West Virginia, from 2000 until Sutton’s death in 2009, A HELL OF A LIFE is an unforgettable portrait of the last great moonshiner. featuring Popcorn Sutton, Jesco White, JB Rader. music by Dana & Susan Robinson, Grifters & Shills, Henry Queen, Ola Belle Reed, Patty Hurst Shifter and Joe Knowlton.

Joep (18), Anouska (23) and Ciska (21) go on a guided youth trip to the sunny party town Blanes. They have a mild intellectual disability and find it exciting to go on holiday for the first time without parents. But once they arrive in Spain, they experience a freedom that they don't have at home.