A film about a pair of sisters, whose parents are divorcing after their father leaves their mother for a younger woman, and who plot together to try to repair their fractured family.
Elisabeth and Gudrun are two Swedish divorcées, both over 40, who meet when Elisabeth parks her car on a loading zone and is ticketed by Gudrun. Despite this shaky start, a friendship grows between the two. Elizabeth, a gynecologist, is sexy and confident. She leads the shy Gudrun through the dangerous waters of single life. But as they cavort through the dance floors and bars of Stockholm's nightlife they are led to a deeper examination of the relationships with men.
Ewald Honig can't break his bad habit. Hardly has he crossed over into the GDR when the strapping, well-built man in his late fifties once again starts courting ladies with fraudulent intentions. His daughter Ina, burdened with the same genes, specializes in married men in their prime. Two criminologists are on the Honigs' trail, but they soon have enough to handle just dealing with each other. Meanwhile, Honig and his daughter have left their wayward path of their own accord.
Paul and Paula have had bad experiences with love: Paul is financially well off but has lost all affection for his wife, and Paula leads a troublesome life raising two children on her own. They meet and discover a strong passion for each other. Life seems like a dream when they're together - but their short flights from the burdens of reality are once and again interrupted by Paul's ties to family and career.
A socialite couple thinks only of themselves. When they become bored with one another, they divorce and marry others (several times). The person who suffers most from their cavalier outlook on life is their cute little daughter Mary Jane Irving.
An actor on the skids is given one more chance to regain his stardom, as well as his self-respect, yet his alcoholism may prevent that from happening.
Dedicated environmental lawyer Lucy Kelson goes to work for billionaire George Wade as part of a deal to preserve a community center. Indecisive and weak-willed George grows dependent on Lucy's guidance on everything from legal matters to clothing. Exasperated, Lucy gives notice and picks Harvard graduate June Carter as her replacement. As Lucy's time at the firm nears an end, she grows jealous of June and has second thoughts about leaving George.
Benjamin is in love with Manette, the innkeeper's beautiful daughter, but she has no intention of giving in to the young doctor until she sees the marriage contract, and marriage does not fit in with Benjamin's spirit of independence. For the same reason he resists the efforts of his sister Bettine to marry him off to Arabelle, the daughter of old Dr. Minxit. Benjamin does agree to go and meet the girl. But that evening his sister finds him at the inn together with Manette, who is arrested by her father. So she decides to go with Benjamin herself. But as result of an incident with the fat Marquis puts paid to the expedition. Benjamin is subjected by the Marquis to a humiliating practical joke. Benjamin is determined to got his revenge. He succeeds thanks to the gorgeous Vicomte Hector de Pont-Cassé, who also helps Manette with her problems against her father. But Benjamin is now arrested by the Marquis...
God contacts Junior Congressman Evan Baxter and tells him to build an ark in preparation for a great flood.
Married for eight years with no children, Brits Katherine and Alex Joyce are driving to Italy, their ultimate destination just outside of Naples to sell the villa they have just inherited from his uncle, the villa where they will be staying during their time there. On the drive, they come to the realization that this trip marks the first time that they have truly been alone together, and as such don't really know one another in the true sense.
Masculinity, race and boyhood simmer in this stylish slow-cinema debut about a Filipino-Australian father and his six-year-old son, who are navigating a family divorce. Exploring the complexities of family, society and culture that shape young Filipinos, this feature debut from rising filmmaker Caleb Ribates depicts the tender relationship between an immigrant father and his young son as they deal with being abandoned by the boy’s mother. With its evocative black-and-white cinematography, long takes and naturalistic dialogue, Anak follows in the footsteps of slow-cinema masters like Lav Diaz and Apichatpong Weerasethakul, while finding an intimacy and tonal register that is all Ribates’ own.
Maksim, an investing manager, is too busy reading the news in his social network feeds fails to notice his own problems, until the news really start to influence his own life.
In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.
Marseilles, 1919. Georges Sarret is a distinguished and respected lawyer, recently honoured for his services in the First World War. He takes as his lover Philomène Schmidt, a young German woman, who has just lost her job and home. To enable Philomène to remain in France, Georges finds her a husband – who dies conveniently of natural causes a month after the wedding. Georges repeats the trick with Philomène's sister, Catherine – marrying her off to an old man who dies suddenly so that the scheming trio can profit from his life insurance. When an accomplice in the scheme, Marcel Chambon, threatens to blackmail them, Georges and his two lovers have no option but to kill him and his mistress...
Millionaire William van Luyn falls in love with his secretary Joan Thayer and marries her. Her family, part of "the great middle class" (as blowhard nephew Henry keeps reminding us), is happy for Joan, but reluctant to take charity from Will. He moves in with them, and they keep resisting, until one day he takes drastic action.
Bizarre tale of sex, betrayal, and perversion at a military post.
Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".
In a 19th-century European village, a young man about to be married is whisked away to the underworld and wed to a mysterious corpse bride, while his real bride waits bereft in the land of the living.
Nicolas Philibert goes to America after killing a French aristocrat. On his return he tries to divorce his wife, Charlotte, but when he sees others trying to woo her his own interest is rekindled.
Teacher Anne and policeman Georg are thought of as the perfect couple. However, appearances are deceptive: one of them is covered with scars and bruises. But which one is the abuser?