Life in Australia: Geraldton

Based on newly declassified files, the film explores the US government’s surveillance and harassment of Martin Luther King, Jr.

Documentary by John Pilger looks at the awful truth behind white Australia's dysfunctional relationship with Indigenous Australians

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.

Narrated by Robert Culp, this special examines racism in the sixties

Set against a backdrop of spectacular neon footage of Vancouver, Los Angeles, and Las Vegas, the film is an illuminating exploration into the vibrant history and contemporary use of neon. The movement, power, and raw exuberance of neon is revealed through a fascinating demonstration of how neon is made, a montage of notable neon installations and commentary from a colorful array of neon experts.

Lost Theaters of Wichita has the inside story from those who were there. It’s a tale of two great entertainment palaces—one that barely survived and the other that came crashing down while still in its prime. The Miller could still be entertaining people to this day in a grand atmosphere unlike any other. But instead, a parking garage sits in that spot–a monument to history lost and a lesson for future generations to heed. Program includes additional segments on Wichita theater history not included in the documentary itself, and a question and answer session with some of the people interviewed in the film.

Greek-Nigerian NBA superstar Giannis Antetokounmpo returns to Nigeria for the first time.

Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.

CBS TV news special hosted by Harry Reasoner explores the way-out world of the Hippies and the Haight-Ashbury psychedelic 1960s LSD scene. Footage of LSDs users experiencing bummer trips. The Diggers, the Oracle and cool street and Golden Gate Park scenes with hippies tripping out. The Grateful Dead are interviewed and are shown performing "Dancin' in the Streets" on a flatbed truck in Golden Gate Park. The Hippie Temptation!

While flying to the first stop on their latest tour, the four members of the Australian music group The Seekers recall in flashback the origins of the group and their rise to success.

Sing! is a 2001 American short documentary film about the Los Angeles Children's Chorus, directed by Freida Lee Mock. How do squeaky-voiced 8 year olds become amazing singers? Sing! tells the story of how a community group, amid severe cutbacks in the arts, is able to develop a children's chorus that is one of the best in the country. It was nominated for an Academy Award for Best Documentary Short.

Filmmakers Sam and Amy journey into rural Australia to explore how the legacy of an American legend has transmitted and warped itself over time, and across the globe, resulting in the 30th annual Parkes Elvis Festival.

What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'

How does love fill your life? What is your perspective on love? (not)betrayed by love recognizes that there are several truths about love Is your love fragile, full of loneliness or full of life?

As dawn breaks over Taipei, a whole world comes to life around the Luzhou temple night market, only to be dismantled by sunrise. In COME HUNGRY, Oscar-winner Carol Dysinger creates a city symphony out of the rhythms, sounds, colors, and flavors of this ephemeral community that revolves around Taiwanese food, traditions, and identity.

Mentally ill. Deviant. Diseased. And in need of a cure. These were among the terms psychiatrists used to describe gay women and men in the 1950s, 1960s, and early 1970s. And as long as they were “sick”, progress toward equality was impossible. This documentary chronicles the battle waged by a small group of activists who declared war against a formidable institution – and won a crucial victory in the modern movement for LGBTQIA+ equality.

The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.

The pandemic has changed many things. Including Alfia, she is a teacher who has learned a lot from the phenomenon she saw. For Alfia, trash is no longer appropriate to be disposed of in its place.