A Conversation with the Masters: The Empire Strikes Back 30 Years Later

Four Belgian-Moroccan filmmakers in their thirties produce their latest film. Since adolescence they have managed to produce over thirty low-budget movies in which they often have played the main characters. Their movies are not only the sum of their fears and desires, but also a way of projecting an image of themselves towards their own community and the outside world. When one of them decides to radically change his life, their friendship and the future of their common cinema goals are threatened.

In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.

Ostensibly a portrait of a place where the artist had resided until recently, the new film by Robert Beavers conjures not only the memory but also the physical presence of those who have previously stayed there. Adhering to a solitary intimacy while simultaneously acting as an ode to human endeavour and shared impulses toward fulfillment through art, Listening to the Space in my Room is a moving testament to existence (whose traces are found in literature, music, filmmaking, gardening) and our endless search for meaning and authenticity. The film's precise yet enigmatic sound-image construction carries a rare emotional weight.

On-set documentary on the making of Ingmar Bergman's The Touch.

A 1971 documentary by Frank Simon featuring rare footage of the film’s cast and crew at work.

A look at the making of the classic comedy film.

Run Wrake is an English filmmaker, animation director, and music video director. He studied graphic design at Chelsea College of Arts before completing a master's degree in animation at the Royal College of Art in London. In this interview for the BBC's Channel 4, he describes some of his films, their inception, and their production. He also comments on technological and cultural developments that have changed how animated films are produced and perceived.

Italian horror fan and academic Calum Waddell speaks with some of the original makers of the controversial horror classic "Cannibal Holocaust" before venturing into the Amazon jungle and surrounding city port, Leticia, to uncover some of the local stories behind the making of the motion picture. What is uncovered, however, leads to a wider and unexpected "true crime" story.

A new documentary on the Criterion Collection edition of Roman Polanski's 1971 adaptation of Macbeth featuring interviews with the director, producer Andrew Braunsberg, assistant executive producer Victor Lownes, and actors Francesca Annis and Martin Shaw.

Documentary about the making and reception of Carl Th. Dreyer's final movie, "Gertrud."

A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.

Gina Carano in Training

In this documentary about low-budget filmmaking in upstate New York, you'll learn how affordable digital-video technology has changed the lives of the artists behind action flicks, monster movies, nonfiction stories, and comedies. "Every Pixel Tells a Story" introduces viewers to a wide range of independent filmmakers, all of whom prove that with a little ingenuity, access to the right technology, and plenty of tenacity, filmmakers can still practice their craft 3,000 miles from Hollywood. In fact, "Every Pixel Tells a Story" is an example of what can be accomplished on digital video. Producer-director Peter Hanson shot and edited the movie in a matter of weeks using a camcorder, a computer editing system, and a $30 microphone from Radio Shack, all while spending a fraction of what the documentary would have cost had it been shot on film.

A documentary of uncompromising, outlaw, cult underground filmmaker Jim Van Bebber, covering his life from 2010-2015 while he tries to make a comeback and make a new exploitation film after years of struggling to work.

An intimate look at cinematographic creation, this visual essay shares with us secrets of the legendary Canadian animator Norman Mclaren and his personal view of filmmaking.

A short documentary about the making of D. W. Griffith's controversial 'The Birth of a Nation'.

Behind the chaos and creativity of the making of 2003's THE MANSON FAMILY directed by Jim Van Bebber. This feature-length documentary was included on the film's unrated DVD and Blu-ray releases from Severin Films.

Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to women and their cinema. Catherine Breillat, Claire Denis, Mira Nair, Margarethe Von Trotta, Ulrike Ottinger, Micheline Lanctot, Rakshnan Bani-Etemad, María Novaro but also the names of the less visible directors of the general public. Joining the filmmakers are the voices and comments of producers, film specialists and archivists through whom our images are meticulously preserved.

A film about the career and methods of the master silent comedy filmmaker.

NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.