Afghanistan: No Country for Women

Armed only with their cameras, Peabody and Emmy Award-winning conflict Journalist Mike Boettcher, and his son, Carlos, provide unprecedented access into the longest war in U.S. history: they are embed with U.S. troops during nine days of intense combat in Afghanistan.

"No Book This Year" tells the story of Yalda, a former staff member of Afghanistan's booth at the Frankfurt Book Fair. Years after the booth's closure, Yalda takes it upon herself to independently relaunch Afghanistan's presence at the fair. Despite numerous challenges and obstacles, her unwavering determination to showcase Afghan literature and culture shines through, illustrating the resilience of the human spirit in preserving cultural heritage.

Australian riders Clint Allan, Mitch Allan and Nick Gregory make a once-in-a-lifetime journey to ride untouched awe-inspiring mountains, and experience the rich culture, in one of the most remote and dangerous parts of the world.

Unfolding over 18 monumental days in August 2021, this deeply immersive and emotional documentary combines never-before-seen archival footage from those on the ground at the airport with exclusive interviews with people who were there throughout the period, including Afghan citizens attempting to flee, U.S. Marines tasked with managing the evacuation, and Taliban commanders and fighters who had recently taken the city.

O Refúgio

In August 2021, U.S. forces withdrew from Afghanistan and the Taliban were back in power. One group answered the call of duty and volunteered to save our allies. Their effort to rescue one interpreter turned into an evacuation saving thousands of lives.

As a young and idealistic war correspondent, Graeme Smith followed the troops into battle in Afghanistan. Now he returns to a place that gave him nightmares to see if there is hope for peace. Smith revisits old friends and acquaintances and sees the deep divisions in the country.

Afghanistan: From Ground Zero to Ground Zero is the story of Masuda Sultan, a 23-year-old Afghan-American woman who travels back to Kandahar, Afghanistan to see what has become of her country. Masuda is delighted to see the yoke of the Taliban lifted, but horrified to find out what happened to her family. Seeking refuge from the American bombing, a large number of her family escaped to the small village of Chowkar-karez, 60 miles north of Kandahar. On October 22, 2001 Chowkar-Karez was attacked by the American military. 41 civilians were killed. 19 of them were members of Masuda's family. Masuda, who supports America's effort against terrorism, wants to know why her family had to die in the desert.

Five Afghan men try to reach Europe. The filmmakers followed them for over six months, filming their clandestine journey and chronicling a migration combining fantasy and stark reality, setbacks and achievements, in the midst of the dangers of such trips.

The Soviet Army Prepares for Action in Afghanistan is derived from four shots of a Soviet film called Heirs of Victory (1975) which commemorates the Allied triumph over fascism in World War II. The original film celebrates the military might of the USSR in images of explosions and armed men leaping through flames. These images are subjected to such thorough manipulation that they become patterns flickering like a multitude of abstract paintings, with digital smears standing in for squeegee marks and brush strokes. Slowly the shots become less abstract until they are completely recognizable, though still somehow rather surreal.

The mission: Capture US and NATO forces on camera giving food, water, clothing, blankets, and medical supplies to widows and orphans in refugee camps and villages of Afghanistan.

Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.

Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.

According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.

Take a harrowing journey with author Sebastian Junger and photographer Reza deep into Afghanistan for an in-depth interview with the assassinated resistance leader, Ahmed Shah Massoud. With never-before-seen footage, Afghanistan Revealed explores this war-torn country and the lives of its people as they continue their struggle against the Taliban.

Jung is a narrative documentary that follows the human and professional adventure of its protagonists, the Afghan people in the midst of civil war.

16 Days in Afghanistan is a documentary that documents the state of Afghan people after the fall of the Taliban.

This film creates a real-life epic of boyhood and manhood that follows the same individual over 20 years, living in one of the most dangerous countries in the world. When we first meet Mir, he is a mischievous boy of seven living in a cave in central Afghanistan alongside the Buddhas of Bamiyan, two statues that were recently destroyed. For two decades, the film follows the adventures of his life, until, as an adult with a family of his own, he decides to pursue his own career as a news cameraman in Kabul. More than just a personal journey, My Childhood, My Country is an powerful examination of what has – and has not – been achieved in Afghanistan over the past 20 years.

Annie Goldson and Kay Ellmers’ doco, expanded from the film they made for Maori Television, takes a timely look at New Zealand’s military and media, notably journalist Jon Stephenson, in Afghanistan.

In Afghanistan many hundreds of boys, often as young as ten, are being lured off the streets on the promise of a new life.