Afghanistan: No Country for Women

In 1979, the Soviets had ill-suited uniforms and inferior fighting tactics, and found it impossible to defeat the popular Afghan guerrilla army. They had underestimated their enemy and lacked the forces to win.

Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.

This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.

À ciel ouvert

"Inside the Talibans" - What will happen if the Talibans return to power? Swedish journalist Magda Gad travels the Herat and Wardak provinces of Afghanistan to meet with the Taliban fighters.

The mission: Capture US and NATO forces on camera giving food, water, clothing, blankets, and medical supplies to widows and orphans in refugee camps and villages of Afghanistan.

Les échappées de Kaboul

Jung is a narrative documentary that follows the human and professional adventure of its protagonists, the Afghan people in the midst of civil war.

This documentary offered tantalizing glimpses of Afghanistan, which in 1929 was still one of the few heavily-populated areas in the world where the residents continued to live as they did in the Middle Ages. A progressive new leader named Amnullah tries to "Westernize" the country, meeting plenty of resistance from native reactionaries.

A look back at the years leading up to the fall of Kabul and the perilous evacuation of civilians trapped inside the embassy in the hours following the Taliban's takeover of the country.

Five Afghan men try to reach Europe. The filmmakers followed them for over six months, filming their clandestine journey and chronicling a migration combining fantasy and stark reality, setbacks and achievements, in the midst of the dangers of such trips.

Afghanistan : les derniers résistants

In Afghanistan many hundreds of boys, often as young as ten, are being lured off the streets on the promise of a new life.

In Jaan the filmmaker uses her mother’s forbidden cassettes and dance to tell the stories and show the spirit of Afghan women across generations.

Abby Martin covers the whole truth about the Afghanistan War. Two decades, three administrations, tens of thousands of lives.

The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.

This film is a glimpse of the traditional life of the Afghan people, their culture and their music, just before the Russian intervention in 1979.

16 Days in Afghanistan is a documentary that documents the state of Afghan people after the fall of the Taliban.

This film creates a real-life epic of boyhood and manhood that follows the same individual over 20 years, living in one of the most dangerous countries in the world. When we first meet Mir, he is a mischievous boy of seven living in a cave in central Afghanistan alongside the Buddhas of Bamiyan, two statues that were recently destroyed. For two decades, the film follows the adventures of his life, until, as an adult with a family of his own, he decides to pursue his own career as a news cameraman in Kabul. More than just a personal journey, My Childhood, My Country is an powerful examination of what has – and has not – been achieved in Afghanistan over the past 20 years.

Annie Goldson and Kay Ellmers’ doco, expanded from the film they made for Maori Television, takes a timely look at New Zealand’s military and media, notably journalist Jon Stephenson, in Afghanistan.