Bertie the Brilliant

A nine-year-old boy’s preening obsession with straightening his hair elicits a tidal wave of homophobic panic in his hard-working mother, in this tender but clear-eyed coming-of-age tale.

The debut feature from Franco-Senegalese filmmaker Dyana Gaye charts the interconnected destinies of three far-flung sojourners across three continents. A quiet drama, about the anxieties of negotiating journeying to foreign countries and making a place for oneself in the world.

An animator finds himself trying to explain his (lack of) artistic vision to his creations, who just aren't impressed.

The tobacco industry's conspiratorial efforts to market their products in the face of public health facts and public opposition.

A Danish short film by Lone Scherfig

A successful but stressed mathematics professor goes to her father's wedding and falls in love with her father's bride's son, a prematurely retired pro baseball player. She must choose between him and her current boyfriend, between Chicago and New York, and between research and administration.

1979: Cousins Carole and Jérôme go on an organized trip to Odessa, behind the Iron Curtain. During the day, posing as tourists celebrating their engagement, they visit monuments and museums. In the evening they slip away from the group and meet “refuseniks”, Jews persecuted by the Soviet regime for wanting to leave the country. While Carole is motivated by political commitment and a taste for risk, Jérôme’s motivation is Carole.

A documentary about the three Woodstock music festivals.

Documentary showing the backstage of production of Samira Makhmalbaf's film Panj É Asr(At Five in the Afternoon), in Kabul, after the fall of the Taliban regime. Everything was recorded with a small digital camera by Samira's 14-year-old sister Hana.

Diane and Dora are two prostitutes who begin to rebel against their lot in life. Meanwhile, in another part of town, a murderer is at large.

Son of a patriarchal family in the country interior finds out something.

Spanish photographer Francesc Boix, imprisoned in the Mauthausen-Gusen concentration camp, works in the SS Photographic Service. Between 1943 and 1945, he hides, with the help of other prisoners, thousands of negatives, with the purpose of showing the freed world the atrocities committed by the Nazis, exhaustively documented. He will be a key witness during the Nuremberg Trials.

The Green Hornet is a short film based upon characters from the popular radio and pulp series. The Green Hornet is actually Britt Reid, fearless newspaper publisher, who hides behind the Hornet's disguise to battle criminals that have managed to escape the long arm of law-aided. On his side we find of course his martial arts expert sidekick, Kato.

A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.

When events at work prove too stressful for Douglas Knott, a diligent and extremely busy office manager, he decides to throw a sickie. Unfortunately, his attempts to enjoy a day off are soon sabotaged by the insidious voice of his conscience. Literally.

The Sound of Music engages with the deep-rooted sexual and class-based politics of a seemingly arbitrary and violent culture.

A couple send their young daughter to be raised by a pack of wolves.

More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend. Teaming up with an eccentric amateur documentary filmmaker, Ellie hits the road in search of answers.

The whole family is reunited when Sofia comes back for his father's funeral. Quickly, inner problems are revealed.

“Nicky is seven. His parents are older and meaner.” A Place Called Lovely references the types of violence individuals find in life, from actual beatings, accidents and murders, to the more insidious violence of lies, social expectations, and betrayed faith. Benning collects images of this socially-pervasive violence from a variety of sources, tracing events from childhood: movies, tabloids, children's games (like mumbledy-peg), personal experiences, and those of others. Throughout, Benning uses small toys as props and examples—handling and controlling them the way we are, in turn, controlled by larger violent forces.