Tatort Oper - Wie Filmemacher Oper machen

The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.

Anna Netrebko und Rolando Villazón singen "La Traviata"

This film takes us behind the scenes of the magical events of the world famous Vienna State Opera. These one-of-a-kind scenes and fast-paced, brilliant moments are intense, vivid, full of passion and captivating music.

Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.

The documentary draws a portrait of an opera director who is staging Richard Wagner’s Die Walküre. He is torn between the tragicomic routine of an opera house and his own perception of Wagner and the Ring cycle. The film witnesses the director’s drama in maintaining the fragile link between a well-constructed performance and his own vision that lies within the music and the narrative, and is seen as German expressionism-like nightmares.

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

El canto de las manos

Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.

Director Scheffer registered a performance of the Tea Opera by Chinese composer Tan Dun (who won an Oscar in 2001 with his score for Crouching Tiger, Hidden Dragon). Scheffer interlaces the images with interviews with Dun, stage director Pierre Audi and librettist Xu Ying, about the opera and the role tea and oriental philosophy play in this work. Using monochrome, sometimes abstract images (in yellow, blue, red and green), close-ups of plants and flowers and images of the Chinese nature and people (sometimes accelerated or decelerated, sometimes in black-and-white), he mirrors the stylised opera performance and Dun's reflective music.

In Baden-Baden, Nayo Titzin follows the producers of the opera Don Giovanni, created for the Innsbruck Festival of 2006. He is looking for a musical truth... What if Mozart's masterwork Don Giovanni had been interpreted in a wrong way for more than two centuries? Conductor René Jacobs, famous for his performance of Così fan tutte and laureate of a Grammy Award for his innovative recording of The Marriage of Figaro, comes back with new ideas on the comprehension of one of the greatest operas of all times. In this relevant documentary, Nayo Titzin clarifies and highlights all the brightness of those melodies and recitatives. Rewarded with many praises in the international press, this production shows the dramaturgical perfection of the "opera of the operas," the absolute of the genre, as Wagner once said. Once more, the Bulgarian director offers a fun and subtle report, and makes sure that everyone will understand this myth.

Serge Kakudji is a twenty-year-old Congolese counter tenor who fell in love with opera as a young boy, listening to audiotapes of opera recordings in his room in Lubumbashi. Later he traveled to Europe to achieve his dream of becoming a top opera singer. Although Serge's artistic ambitions are pure and uncomplicated, the reactions among his environment and audiences are often ambiguous and divided. While some people respect and acknowledge his artistic vocation, others see him as an exotic oddity, or complain that that his African timbre jars with classical opera. Serge refuses to be discouraged by any of this. On the contrary, he wants to hold up a mirror to Western culture and confront it with its underlying beliefs. He also wants to use his story and experiences in the west to bring opera to Congo. Together with his countrymen and women, he wants to found a Congolese opera tradition based on African stories that will inspire people to follow their dreams.

The film follows the staging of the opera Olimpiade while at the same time exploring the dramatic life of its composer Josef Mysliveček, a friend and teacher of W. A. Mozart.

Documentary about the life and career of actress Carolina Cataldi-Tassoni with special focus on her work in Dario Argento's "Opera".

A short film by Walerian Borowczyk in two parts. The first 'panel' follows the morning routine of Leon Boyer who, despite being almost 100 years old, still farms the land, drives a vintage car, and plays with his two dogs. The second panel shows shots of beautiful flowers and a cat, to a recording of Tino Rossi singing 'La romance de Nadir / Je crois encore entendre' from Bizet's opera 'Les pêcheurs de perles'.

In Bocca Al Lupo

With its four operas, seventeen-hour running time and months of rehearsal, Wagner's "Ring Cycle" is a daunting undertaking for any opera company. Jon Else goes backstage to show this rare event entirely from the point of view of union stagehands at the San Francisco Opera.

BBC television program exploring Visconti’s mastery of cinema, theater, and opera direction.