Piel dolor (Skin Pain) explains how power is structurally sustained in violence. Its nature and the relationships it establishes in society are based more on the imposition and use of force than on building consensus, dialogue, and respect for diversity. In that sense, power is a behavior that seeks dominance through force and man as a gender, becomes an instrument of violence that is exercised against the weakest. Extinguishing the socially constructed violence means eliminating the current power and its historical sustenance, questioning the source of origin, religion, ideology, the system and its values. Is that utopia possible?
Ten French job seekers show up for a two-day recruitment session knowing only that they’re vying for a sales position in the insurance field. Their prospective employer remains a mystery. With limited information, they’re launched into a hiring process that more closely resembles a reality TV challenge than a traditional interview.This brutal examination of entry-level recruitment sheds light on the stigma of being unemployed, the power dynamics of interviewing and the roles people play in their quest to earn a minimum wage.
Africa, Europe - Europe and Africa: Surfers live differently on each continent and Africa marks a special place - as surfing is in many places at its very beginnings. 'Beyond - An African Surf Documentary' follows locals along the coast of Morocco, Western Sahara, Mauritania, Senegal and Gambia into their homes, visits their home surf spots and takes a look into their surfing lives. Three months of shooting culminated in a 111 minute long episodic journey on a continent, that has the potential to be the next big thing in surfing.
An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Long massacred by whaling ships, sperm whales were almost driven to extinction. Saved when whale hunting ceased in the 1980s, the largest predators on the planet had, until then, always been studied from the surface, allowing their life beneath the seas to remain a mystery. For the first time, a team of scientific divers has literally become immersed in the day to day life of a clan.
Seven women and one non binary person share their personal experiences with masturbation through short anecdotes and a revolutionary washing machine.
A mild mannered birder seeks revenge on a younger rival, after losing the highly coveted Head of Ornithology position at the National Park.
The second movie in David Hare's Johnny Worricker trilogy. Loose-limbed spy Johnny Worricker, last seen whistleblowing at MI5 in Page Eight, has a new life. He is hiding out in Ray-Bans on the Caribbean islands of the title, eating lobster and calling himself Tom Eliot (he’s a poet at heart). We’re drawn into his world and his predicament when Christopher Walken strolls in as a shadowy American who claims to know Johnny. The encounter forces him into the company of some ambiguous American businessmen who claim to be on the islands for a conference on the global financial crisis. When one of them falls in the sea, their financial PR seems to know more than she's letting on. Worricker soon learns the extent of their shady activities and he must act quickly to survive when links to British prime minister Alec Beasley come to light.
Sylvia returns to Sweden after having lived abroad for six years. She visits her sister Karin, and is shocked to see how her husband and children regard her as a live-in housekeeper. She convinces Karin to take a vacation with her in Stockholm.
From the inventive mind of Jeff Dunham comes the first animated movie starring the world’s most beloved, failed bad guy: Achmed the Dead Terrorist! The Little Skeleton That Couldn’t unexpectedly finds himself in Americaville, USA. There, Achmed is mistaken as a French exchange student while he bumblingly plots to destroy the town and all its “infidels.” But when exposed to the sweet things in life, Achmed’s campaign of hate turns into a patriotic all-American lovefest.
When a boy is too confused to speak with his non-communicative family, words eventually lose their meaning. He decides to communicate with his dandruff and a cup of cold coffee instead. His father ignores these eccentricities, assuming it is just a ploy to get attention. Meanwhile, the boy's sister likes exercising seductively in front of men and is better able to capture her father's attention than her brother. Their mother is oblivious, perpetually talking to people on her mobile phone and the space the family occupies grows narrower and narrower.
A man with a clipboard asks passersby a survey question: "Are you the favorite person of anybody?" He has a scale, from "very certain" on down. His manner is open. He offers oranges to one respondent. He talks, one at a time, to three people. Their answers, however brief, are revealing.
Four veteran pilots were invited by the leadership of the military unit to perform a special task. And it does not matter that they haggle in the market, because everything that happens — it's just a dream…
Simon Templar creates false identities named after saints in order to steal money from various criminal organizations and redistribute the wealth to others.
Biguá, a port worker, awaits a son with his young girlfriend and embarks on the high seas. Javier, at 40 years old, has a wife he loves, works, enjoys a good time; and imagines recurring dreams. Another life, with another being very different, they cross as in a magical and mysterious dream. The film revisits the theme of the double and its question: will there be, somewhere in the world, a double for each one of us? And, if it exists, what would happen if we took their life?
Encouraged by her father who hopes to save her from a life in the provinces, Jette is about to spend a year volunteering overseas. But love stands in the way of her father's plans, and she no longer knows what she wants.
While he loses his clandestine work, and because he believes that Maroussia and him will no longer be able to love each other as well, Frank leaves to earn as much as she: twelve thousand, just what it takes to have a year before them. No more no less.
Mojina Maduve