The Silence of Joan

In 1429, a French teenager stood before her King with a message she claimed came from God; that she would defeat the world's greatest army and liberate her country from its political and religious turmoil. As she reclaims God's diminished kingdom, this courageous young woman has various amazing victories until her violent and untimely death.

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

In the 15th Century, France is a defeated and ruined nation after the One Hundred Years War against England. The fourteen-year-old farm girl Joan of Arc claims to hear voices from Heaven asking her to lead God's Army against Orleans and crowning the weak Dauphin Charles VII as King of France. Joan gathers the people with her faith, forms an army, and conquers Orleans.

Could a nineteen-year-old girl change the course of history simply by faith? From ordinary farm girl to extraordinary hero, the life of Joan of Arc was one of conviction and courage. Fifteenth-century France was devastated by an ongoing war in which women did not fight. Yet Joan heeded the counsel of angels and transformed into a military leader, something her country needed but many feared. In this BYUtv original special, discover the stalwart spirit, military prowess, and enduring influence of Joan of Arc.

Rouen, Normandy, 1431, during the Hundred Years' War. After being captured by French soldiers from an opposing faction, Joan of Arc, the Maid of Orléans, is unjustly tried by an ecclesiastical court overseen by her English enemies.

Writer and historian Dr Helen Castor explores the life - and death - of Joan of Arc. Joan was an extraordinary figure - a female warrior in an age that believed women couldn't fight, let alone lead an army. But Joan was driven by faith and today, more than ever, we are acutely aware of the power of faith to drive actions for good or ill. Since her death, Joan has become an icon for almost everyone: the left and the right, Catholics and Protestants, traditionalists and feminists. But where, in all of this, is the real Joan - the experiences of a teenage peasant girl who achieved the seemingly impossible? Through an astonishing manuscript, we can hear Joan's own words at her trial and, as Helen unpicks Joan's story and places her back in the world that she inhabited, the real human Joan emerges.

Jeanne d'Arc has succeeded in lifting the siege on Orléans and Charles VII has been ordained King of France. However, she is injured in her failed attempt to take Paris, weakening her position at court. When she is finally captured and put on trial, she finds both her life and the sanctity of her body at stake.

In the 15th century, both France and England stake a blood claim for the French throne. Believing that God had chosen her, young Joan leads the army of the King of France. When she is captured, the Church sends her for trial on charges of heresy. Refusing to accept the accusations, the graceful Joan will stay true to her mission.

A divinely inspired peasant woman becomes an army captain for France and then is martyred after she is captured.

A television adaptation of George Bernard Shaw's play about the life, battles and subsequent trial of Joan of Arc, based on the kept records from her trial.

In this film, shot in Drachhausen/Hochoza in southern Brandenburg, film students from Potsdam reinterpret Schiller's play ‘Die Jungfrau von Orleans’ (The Maid of Orleans) and set it in Lower Lusatia. Johanna, the harvest queen, campaigns for the expansion of a solar park. She is celebrated by many for this, but some are hostile towards her. After the cock plucking/łapanje kokota, a scandal erupts in the ballroom.

France, 1425. During the Hundred Years’ War, Jeannette, age of 8, looks after her sheep in the small village of Domremy. One day she tells her friend Hauviette how she cannot bear the suffering caused by the English. Madame Gervaise, a nun, tries to reason with the young girl, but she is ready to take up arms for the salvation of souls and the liberation of the Kingdom of France. Carried by her faith, she will become Joan of Arc.

Wong Fei-Hung takes on the the five wolves gang.

Archeologists discover a pit filled with terracotta warriors buried to protect the grave of the First Emperor of China.

Set in the final weekend of the year 1995 Ice Hockey World Championships, 95 tells through overlapping stories why Finland became a ice hockey world champion and how it affected the whole nation.

The Tibetans refer to the Dalai Lama as 'Kundun', which means 'The Presence'. He was forced to escape from his native home, Tibet, when communist China invaded and enforced an oppressive regime upon the peaceful nation. The Dalai Lama escaped to India in 1959 and has been living in exile in Dharamsala ever since.

A bitter battle is fought between Australian and Japanese soldiers along the Kokoda trail in New Guinea during World War II.

Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.