Beethoven: The Complete Symphonies

Can the darkest moments of life also lift our souls? Drawing on his own experience in a Siberian prison in the company of misfits, murderers and theives, Dostoevsky was inspired to write his novel Notes from a Dead House, telling his brother at the time: ‘Believe me, there were among them deep, strong, beautiful natures, and it often gave me great joy to find gold under a rough exterior.’ In Janáček’s hands, Dostoevsky’s inspiration and the raw material drawn from an appalling world of incarceration find an even more powerful form of expression in his last opera, From the House of the Dead. Unfettered by conventional story-telling, Janáček wrote his own libretto, freely weaving together a series of stories of everyday prison life and of the fates of individual convicts.

The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.

After the great success of his Beethoven cycle, Christian Thielemann now turns with his new orchestra, the Staatskapelle Dresden, to the symphonic work of Johannes Brahms. Bonus features include: an extensive 52 minute interview with Christian Thielemann on Brahms' Symphonies and provides and in-depth look into his interpretation of Brahms.

Changing colors according to the music.

A festive event marking the 10th anniversary of the Czech Republic's accession to the European Union, during which the Brno Philharmonic Orchestra will perform a live broadcast of L. van Beethoven's popular Symphony No. 9 in D minor, Op. 125, with Ode to Joy.

Priya, an exceptional yet obsessive pianist at Berklee School of Music, struggles to meet the demands of her professor’s unorthodox senior showcase assignment: to compose a piece that encapsulates her greatest fear.

Performed by the Czech Philharmonic Orchestra conducted by J. Bělohlávek. Slavonic Dances are among the most popular works by Antonín Dvořák and Czech Romantic music in general. The first series, originally composed for four-hand piano and later orchestrated for symphony orchestra, is inspired mainly by Czech folk dances. The orchestral version of Slavonic Dances is considered a groundbreaking work, thanks to which Dvořák attracted attention abroad and launched his international career. A television recording of this outstanding performance was made in 2014. The Czech Philharmonic Orchestra is conducted by Jiří Bělohlávek.

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

From the Styriarte Festival in Graz Austria, the acclaimed mezzo-soprano Cecilia Bartoli and Maestro Nikolaus Harnoncourt with his orchestra Concentus Musicu Wien, present a concert on Haydn arias and Symphony No.92, the "Oxford". The singing virtuosity of "Scena di Berenice" is sublime as is the performance of The "Oxford" Symphony from the ensemble renown for its specialty in early music and playing on period instruments. A unique concert.

For their annual season end concert, the Berliner Philharmoniker take the audience on a dreamy, magically journey through the river Rhine with Schumann’s beloved 3rd Symphony Rhenish. Pieces from Wagner’s Der Ring des Nibelungen under the baton of dynamic conductor Gustavo Dudamel complete this evening.

At night, in the dark recesses of the woods, a male cellist lures in viewers with a performance of Bach's "Cello Suite No. 1 in G Major." It stars Paul McCoy Drutz-Hannahs, a professional cellist with the Johns Hopkins University Orchestra.

In this short, Johnny Green leads the MGM Symphony Orchestra in a performance of the overture to Rossini's "La Gazza Ladra".

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

Benjamin Britten's monumental anti-war oratorio from the Vladislav Hall of Prague Castle in memory of war veterans and victims. British composer Benjamin Britten wrote War Requiem in 1962 on the occasion of the restoration of the war-damaged cathedral in Coventry. He used the traditional, codified Latin text of the requiem – a mass for the dead – interspersed with verses by Wilfred Owen, a British officer who wrote his poems directly in the trenches of World War I. More than two hundred artists then joined their voices in the Vladislav Hall of Prague Castle as part of the Prague Sounds festival for a symbolic performance of the work, which is rarely performed due to its demanding nature and large cast.

The Choir and Orchestra of the La Fenice Theatre, conducted by Fabio Luisi, take over Piazza San Marco in Venice for a grandiose concert. Facing the basilica, the musicians perform the famous cantata "Carmina burana", twenty-four medieval poems set to music by Carl Orff between 1935 and 1936.

70 Years Young is André Rieu’s ultimate concert featuring musical highlights chosen by the maestro himself from his illustrious career so far. This unique commemorative celebration will take you on an unbelievable journey around the world to André Rieu’s most amazing concert locations, including Schönbrunn Vienna, Radio City Music Hall New York and the Coronation Concert in Amsterdam.

The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.

Imagine a window into the past. Imagine finally connecting singers' bodies to the voices you have always treasured on record, watching footage of performances from another era. All of singers featured here have something in common (with one exception, Sutherland): they sang and performed on stage before the advent of filmed opera. . And it shows, for the first time, a few tantalizing minutes of recently recovered footage from Callas' legendary Lisbon Traviata, featuring Addio dal Passato and Parigi oh cara with Alfredo Kraus. This DVD will leave you asking for more.

Concentus Moraviae 2010

J. S. Bach: Světské a duchovní kantáty