Informe+. Ilia Topuria, El Matador

Mariano Cruz Ordóñez is an Ecuadorian bullfighter at the end of his artistic career. Mariano was a figure of bullfighting in Ecuador and participated in the most important bullrings of his country and the world. The glory years have passed and prohibitions have arisen regarding bullfighting shows, and the only thing left is, with tenacity and faith, to fight against various adverse circumstances looking for a chance to move foward.

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

Have you ever been to the bullfights in Tijuana? Larry Wessel's TAUROBOLIUM is not only cinema verite at it's best, Larry Wessel's TAUROBOLIUM is the best documentary on bullfighting ever made!

A short documentary about the life and death of the bullfighter Manuel Rodriguez Manolete. It recounts his career this celebrated Spanish bullfighter who was the inspiration for the ill-fated Montalvo in Pandora and The Flying Dutchman.

A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.

The first documentary to tackle the aesthetic side of bullfighting in all its complexity and to do so with the expressiveness and plastic and conceptual refinement of director Albert Serra.

Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia becomes pregnant, Jose Luis promises her that he will marry her, most likely against the wishes of his parents. Jose Luis' mother is determined to break her son's engagement to a girl from a lower-class family, and hires Raul, a potential underwear model and would-be bullfighter to seduce Sylvia.

A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.

Follows the tale of a young woman’s sexual awakening and subsequent journey around the world in pursuit of her ideal lover. Encounters include an Arabian sheik and a Spanish bullfighter. Her friend and butler accompany her and help to arrange her couplings.

In England, Don Pedro de Barrego meets Dolores Annesley, and he decides he must have her. Dolores, however, refuses to have anything to do with him. Later, when she visits Spain, she discovers he is a famous bullfighter.

Two men share an odd friendship while they care for two women who are both in deep comas.

Bullfighter Juan Gallardo falls for socialite Dona Sol, turning from the faithful Carmen who nevertheless stands by her man as he continues to face real danger in the bullring.

When a matador leaves town to focus on his music, his twin sister takes on his identity in the bullfighting ring.

Pandora Reynolds is a woman who has never fallen in love – but one who men kill and die for. When she meets dashing and mysterious ship's captain Hendrik van der Zee, he pushes her to commit the ultimate act of love.

A matador must recover his courage after being gored in the ring.

Three young boys, from different parts of the world, had a big dream to become matadors. One of them, later on, got picked up by CIA and became one of their top agents.

Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.

Brilliantino the Bullfighter (originally titled Flood and Sand) is one of the first spoofs of Blood and Sand, Paramount’s smoldering matador melodrama that set box offices ablaze. Like Mud and Sand, starring Stan Laurel, the Banks parody was rushed into theaters in November 1922, while memory of the Valentino vehicle was fresh. The concept of Monty Banks impersonating the passionate matador must have been innately hilarious to audiences who had seen the original picture.

An American takes up bullfighting to impress the ladies but learns to respect the sport.

A teacher whose true vocation is that of a bullfighter and, since bullfights are frowned upon in Catalonia, he is having a hard time working on what he likes. The crisis will force him to work in a theater performing a pornographic act to replace his partner's partner, whose social security problems have forced him to leave his job.