I, The Camera

A sitting man listens to his thoughts, but can't catch any of them.

A short film on breathing and quiet afternoons.

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

Amid Guanajuato's vibrant streets, an aging filmmaker becomes a modern Don Quixote, joined by a spirited young animator as his loyal Sanchia. Together, they navigate themes of mortality, unfulfilled dreams, and the fragile line between madness and clarity, uncovering the transformative power of light, art, and the landscapes that shape our souls.

Something strange and unpredictable takes inthe mysteriously vacant rooms of Berlin’s infamous Techno club Berghain. A group of wild animals occupy the monumental spaces of the former power station. We explore the building together with the animals and experience its dimensions from a new, nonhuman perspective. The brutality of the industrial architecture is confronted with the beauty of these shy creatures.

Sequel to Moon Men, Summit of Saturn follows Adrian and Sumner as they live in isolation in the city, unable to figure out themselves creatively. Reality soon starts to dissolve around them as they descend into cosmic madness and they must find their separate ways out.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

An experimental short on technology and organic life

A documentary about the sea and memory. Its movement is its form. Its strength.

SIN ROSTRO

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

After discovering a stranger’s livestream, a month unfolds under his balcony, through watching and being watched.

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

Two robots embark on a quest to become human.

This poetic experimental documentary is a tribute to the multifaceted life of Brianna, Jorge Lozano's daughter, a collaborative reflection intertwining fiction film archives, acting, and photographs to evoke memories and breathe life into moments and events. Her singing serves as a connecting thread, offering parallel interpretations. The film explores events since 1978, employing a non-chronological and non-linear approach, providing a unique artistic perspective. Shot in Colombia, Spain, and Costa Rica, it culminates in Victoria, BC, where she was tragically murdered. However, it focuses on celebrating her life and her essence employing diverse formats, including super 8mm, VHS, Super VHS, 3/4", 4K HD, Drone 5K video, GoPro, and Instant 360.

A study of observations around the ancient monument of the temple of Augustus and Livia and to cities of Vienne, Chonas-l'Amballan and Saint-Prim. Firstly proposed as a sort of ghost hunting, the project seems to focus on a world of figures, the whispers of the roads, diegetic/non-diegetic sounds and a camera that tries to investigate under fragments of logic and articulating cuts.

An experimental film about narrations of two journal photos from Iran's revolution in 1979.

A train moves through winter as a superimposed image of the same route in spring gradually emerges. Both moments coexist within a single frame, revealing two seasons happening at once.

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.