Murder in a Hell of Oil

Set after the war in Japan, when the country experienced rapid economic growth, Kikuo is born into a yakuza family. His strange fate leads him to be eventually taken in by a kabuki theater actor. He experiences turbulent times, but his talent as a kabuki actor blossoms.

An aging actor returns to a small town with his troupe and reunites with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all.

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.

Air Force Major Lloyd Gruver is reassigned to a Japanese air base and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy. Ordinarily, a by-the-book officer, Gruver must take a position when a buddy of his, an enlisted man, Joe Kelly, falls in love with a Japanese woman, Katsumi, and marries her. Gruver risks his position by serving as best man at the wedding ceremony.

An onnagata (female impersonator) of a Kabuki troupe avenges his parents' deaths. Remade in 1963 as Yukinojô Henge.

In Edo Japan, a kabuki actor seeks revenge against the three men who drove his parents to their deaths years ago.

Shin Yotsuya Ghost Story

Hanbei (Arata Furuta), the boss of the labor agency Fujitsuboya is known to the underworld as the leader of the 'Last Rite Givers' (Indouya), an organization that deals with disposing of criminals for the sake of the people and society. However, in reality, he is merely a timid and mild-mannered man, too gentle to even harm a fly, whose fearsome appearance is what earned him his position. In both his public and secret life, the true leader is his wife, Oise. One day, a wandering assassin known as the 'mad dog', Yoiyami Ginji (Taichi Saotome), appears—someone who will kill anyone, regardless of who they are, as long as the price is right. Under the orders of the 'Black Blade' gang, who aim to destroy the 'Last Rite Givers' and monopolize the underground business, Ginji awaits to ambush and kill Hanbei. However, at that moment, as if by the curse of the 'Tengosei' star, a violent lightning strike causing the bodies of Hanbei and Ginji to switch.

In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.

Two young swordsmen, Akado Suzunosuke and Tatsumaki Rainoshin, arrive at the city of Edo in their quest to test and improve their skills. Soon they become involved in a conflict against a mysterious group of demonic criminals led by the king of hell, Taira no Masakado — a strugle to which both were destined since the moment they were born.

The play "Ehon Taikōki" was originally written for the puppet theater (Bunraku) and staged for the first time in 1799 in Ōsaka at the Toyotakeza. It was adapted for Kabuki the next year by Nagawa Tokusuke I. The play consisted originally of thirteen acts, one act for each day that passed between Akechi Mitsuhide's murder of Oda Nobunaga and his death at the hand of Toyotomi Hideyoshi. The tenth act is the only one which has survived. This act tells of an incident during the battle in which Mitsuhide was finally defeated.

Irohagana Yotsuya Kaidan

Irohagana Yotsuya Kaidan

Yotsuya Kaidan

Oiwa Nagaya

Nezumi, Jack the Mouse is a Japanese urban legend. His passion for money drives a cynical, duplicitous coffin maker to take on Nezumi’s mantle. In this kaleidoscope of disguise and deception, society’s pretenses are destroyed in a melting pot of farce, social satire and courtroom drama. The mighty are brought low to everyone’s delight. Contemporary theatre genius Hideki Noda collaborates with Kabuki theatre at the invitation of celebrated actor Kanzaburo.

Yotsuya Kaidan Oiwâ

Iemon

Shin Yotsuya Kaidan

Yotsuya Kaidan