Feyenoord - tussen kade en Kuip

Supporters from all walks of life try to describe what makes so many inhabitants of Rotterdam love the red-and-white of Feyenoord so much. But, as one fan puts it: 'You can't explain it, you just have to feel it.' Made by a supporter for supporters.

Don, a rich twelve-year-old, is kicked out of school. He is send to another school where he has difficulties fitting in.

Berenklauw

Shot on location in Idaho, Wyoming, Alaska and New Zealand, TGR’s flagship film won two awards at the international Film Festival and was voted Best movie of the Year by France’s acclaimed SKIEUR Magazine. The all time soul favorite.

Featuring real interviews and archive footage, this documentary gives an overview of Gaddafi's tyrannical reign over Libya from his early life until his death in 2011.

The story behind the rise and fall of New York's 42nd Street. The cinemas, the films, the people, the crime and the rebirth of the block as "New 42nd Street" - this is the document of the world's most notorious movie strip.

This documentary pays tribute to the contributions and importance of the title watering hole in the creation of the psychedelic dancehalls that littered the West during the late '60s and helped launch such super groups as The Grateful Dead, Jefferson Airplane and The Quicksilver Messenger Service. Music by Big Brother and the Holding Company, and the Charlatans is also featured. The Red Dog Saloon had its genesis in 1964 when a group of free-thinking, LSD-enhanced Northern California students and young folks had a party and began thinking about starting up a saloon that would evoke the old West. They decided to build their saloon in Virginia City, Nevada, a once prosperous town that was by then nearly empty. The ambience of the saloon blended Old West sensibilities with modern psychedelia, go-go girls and plenty of illegal drugs. The film is comprised of interviews with surviving founders, actual archival footage, and even a performance of some of the musicians who appeared there.

Tells the true story of one woman's quest to help two elephant landmine survivors-Motala and Baby Mosha-walk on their own four legs.

Shot as a political thriller, this documentary in 4 acts go behind the scenes of the Parisian municipal elections of June 1999.

Learn the origins and rise of modern day hula-hooping through eight extraordinary stories of hoop devotees who have embraced it as an art form, a teaching aid, and even an instrument of redemption. From the streets, to intimate clubs, to giant arenas, we alternate between self-filmed video diaries, verité documentary footage, and spectacularly filmed performances in an attempt to celebrate the healing power of movement and the spirit of human inventiveness.

A documentary on the vaudevillian art-pop band.

A film about three ski-bums (Run Funk, Mike Zuetell and Ed Ricks) that are followed by another ski bum (Dick Barrymore),with a 16mm Bolex camera, who filmed a four-month part of their nomadic and vanishing-breed way of life across four continents. These are four people doing every day what others work fifty weeks of the year to buy for two weeks. They were also becoming a vanishing breed who were becoming unwelcome from Aspen to Val d'Isere.

October 2003, Alma and Lila Levy are excluded from the Lycée Henri Wallon in Aubervilliers solely because they were wearing a headscarf. What follows is a deafening political and media debate, justifying in most cases the exclusion of girls wearing head-scarves to school. February 2004, a law was eventually passed by the National Assembly. "A thinly veiled racism" is about this controversy since the affair of Creil in 1989 (where two schoolgirls were excluded for the same reasons) and attempts to "reveal" that maybe what hides behind is the desire to exclude these girls. This film gives them a voice as well as others - teachers, community activists, feminists, researchers - gathered around the group "A School for You-All" fighting for the repeal of this law they consider sexist and racist ... This movie was censured in Septembre 2004 in France.

Profile of seminal punk group The Clash.

Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime

SNIPERS: BULLETPROOF deconstructs and analyzes the little known sniper events that have occurred when no other course of action was possible. The people who planned the takedowns, or pulled the trigger, share their techniques and bring to light the many factors that had to be considered in each mission: terrain, wind speed, temperature, elevation changes... all are critical to taking out targets considered bulletproof. A sniper has one chance, one breath, to rise to the occasion and save the day... if they miss, there may never be another opportunity. As these never told before stories unfold, the viewer also learns about the high tech gear each sniper carries on their classified missions.

Α few years after the Fall of the Berlin Wall, an unknown physicist from Eastern Germany, who was not interested in politics, is the most powerful woman in the world. Her teacher in the small town where she grew up remembers that she was the smartest student he ever had. Those who have worked with her claim that “Merkiavelli” exercises power without moral barriers, just as Machiavelli taught. A journalist, who knows her well, claims that she uses the methods of a Mafia godmother. In 2008, the German Chancellor was asked to handle the international financial crisis. The countries of the South were placed in the test tube. “If I had to write a book on the Shock Doctrine at this moment,” says Naomi Klein, “it would be on Greece.” How did Merkel manage to impose German hegemony in Europe?

Over 350,000 tons of highly radioactive waste and spent fuel rods are in temporary storage on site at nuclear power complexes and at intermediate storage sites all over the world. More than 10,000 additional tons join them every year. It is the most dangerous waste man has ever produced. Waste that requires storage in a safe final repository for hundreds of thousands of years. Out of reach of humanity and other living creatures. The question is, where? Together with Swiss-British nuclear physicist Charles McCombie, who has been searching for a safe final storage site for highly radioactive nuclear waste for thirty-five years, director Edgar Hagen investigates the limitations and contradictions involved in this project of global significance. Supporters and opponents of nuclear energy struggle for solutions whilst dogmatic worldviews are assailed by doubt

A road movie by rail through four Brazilian states, 55 cities and 8.000 km of railways. A documentary, eight directors and six episodes taking place in natural landscapes and urban settings that proposes an anthropological voyage through cities and the lives of the communities alongside the tracks. The trains as conductors of history and the tracks like a way through time.

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’