The Witches' Carnival

The life of Sara Winter - former Brazilian feminist and founder of FEMEN in Brazil - told by herself; since the troubled youth, through the years of prostitution and feminist militance, until the discovery of motherhood and God.

Women’s Liberation protesters target the 1969 Miss America Pageant… The movie shows the boardwalk action — Women’s Liberation protest and crowd reactions — as well as behind-the-scenes pageant preparations inside Convention Hall.

On the 1st of February, 2021, Myanmar’s Military launched air strikes against the Karen minority group. The news reminds K of his time in Karyn State 4 years back. K thinks of General Neda who wanted to build a community for Karen refugees, Khun from Thailand and the village children who helped him. He promised to fight for peace when General Neda sang “Wonderful Tonight” for him. Reminded of his forgotten promise, K roams the street aimlessly. Still, time eats away at his memories.

Croquantes

Gukdo Art Cinema located in Daeyeon-dong, Busan is one of the most representative cinema in Busan for independent films and arthouse films along with Cinematheque Busan (currently moved to Busan Cinema Center) and Art Theater C+C. Gukdo opened in 2004 in Nampo-dong and moved to Daeyeon-dong in 2008 and has been a home for cinephiles in Busan and nearby areas for the last 10 years. The theater closed its operations on January 31st, 2018 after the building owner had refused to renew its contract. The last month of the theater is recorded in the movie Last Scene.

In a squat in Nantes, Mat and her friends organise a self-gynaecology workshop to “look at oneself and know oneself”. A lively and intimate portrait of a young woman, filmed through her personal and collective questioning of the relationship with oneself, love, sex and the links that they all maintain between each other.

This personal and compelling portrait follows Gudrun Schyman, spokesperson of Sweden's Feminist Initiative political party, as she moves between small towns, refugee camps, and the corridors of power.

Oh Minwook’s Eternal Brightness, adapted from Jo Gapsang’s novel Eye of the Night, narrates the past and the present lives of the characters who have lived through the contemporary history of Korea, from the Korean War in the 1950s to the Busan-Masan Democratic Protests calling for the Park Chung-hee administration’s Yushin regime in October 1979.

This documentary movie explores why women get less than 2% of Venture Capital funding and how we can change that situation. The women include Dawn Lafreeda, whose money making means have been a main source of controversy. As one of the top franchise owners of Denny's Corp, Ms. Lafreeda makes her money at the expense of animals who are enduring extreme cruelty in Denny's supply chain. This has been brought to her attention, as well as Denny's top leadership, and the issue continues to be brushed aside. The movie may leave you wondering... should we applaud women profiting from animal abuse just because they are women?

Korean Baseball team < Lotte Giants > have 30 years history as same as Korean Baseball History. In this time, < Lotte Giants > made their fans weep and smile. However after 2000 year, < Lotte Giants > fell into a slump and span round a low ranking teams. But in 2008 year, < Lotte Giants > rebound from despair and mark 4th grade. < Lotte Giants > start 2009 season with big hope to get 1st grade. However their dream soon gets into troubles. < Lotte Giants >’ main players are wounded and their conditions fall. In the opening part of season, < Lotte Giants > fans are downhearted by their team. But they ? players and also fans - never give up. From the lowest rank, they start up the engine to win the season. Will < Lotte Giants > fans and players’ dream come true at the end?

Pussy Riot, rage against Poutine

Stories about the late President ROH Moo-hyun and BAEK Moo-yun - a man who once lost a congressional election - are intersecting and touching each other. This documentary tells a story about two men that dreamed about living in a country where the people come first.

Names of Revolution recalls the memories of those who participated in the struggle to rewrite the history of the “Busan-Masan Democratic Protests,” which has been under-represented in modern Korean history. As the then college students, seamstresses, mold technicians, combat police, workers, bus drivers, advertising planners, and photojournalists pour out their memories from over 40 years ago before the camera, vivid words come to life.

Portrait of a typical European feminist - Olga Lipovskaya (1954-2021), journalist, translator, poet, founder of the women's non-profit organization St. Petersburg Center for Gender Issues (an educational and resource center for women and women's organizations), editor of the samizdat magazine Women's Reading.

This is the tale of a young woman, growing up in the age of the internet and turning the search for oneself into a public spectacle, allowing kids from all over the world to live their life through hers. Through her fragmented personalities you see the emergence of a new generation, in which the concept of a fixed identity has grown old.

The Lotte Giants is a huge part of Korean professional baseball's history. 30 years have passed since their last win in 1992. Now, they are tired of self-dissing mixed with resentment against the club and players. But, why can't they leave even though they know? Why won't the 'Talde effect' work? Why do they get excited when spring comes? Why are they so sure the win rate will be over 50%? Now here, nevertheless, with fans moving to Sajik Baseball Stadium, the 40-year history of the Giants unfolds centered on former and current Lotte Giants players.

In Aix-en-Provence, feminist slogans dot the walls of the city. This is the work of "Les colleuses". Their goal: to claim their place in the public space, and to denounce patriarchal violences. For a month, we follow young Ameline and her friends. They tell us about their process, the reasons for their commitment, their doubts and their hopes.

This is a film about workers, a film about the poor who were dragged out of homes and about his father. Director Park films his father who has lived as a laborer all his life, his weakened body, and nine years of time flowing over it. Park brings an impartial view of his father’s life. His father does not try to impart a particular value in front of the camera. What remains is to wonder where this cruel reality comes from.

Reveals a revolutionary chapter in Australian history, the Women’s Liberation Movement (1965 -1975). Interweaves fresh archival footage, personal photographs, memorabilia, and personal accounts from activists all around Australia to show how a daring and diverse group of women joined forces to defy the status quo, demand equality, and create profound social change. These women defined one of the greatest social movements of the 20th century, sometimes at great personal cost.

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.