From the early 19th century 1946 Paris had many brothels that were tolerated and controlled by the state. These were sometimes rough places but more often were housed in richly designed buildings and serviced a clientèle from all walks of life. This documentary looks back at the Paris brothels through photographs, historians as well as memories from some who would frequent them as clients or work there as prostitutes.
In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.
Les Invalides: La construction d'un symbole
Brigitte macron, un roman français
TGV Paris-Bordeaux, la ligne de tous les records
Le monde est à eux
Three single friends travel to Paris for ten days for the journey of a lifetime and in search of true love. From 'meet cutes' at the Luxembourg Gardens, to strolls down the tree-lined Champs-Élysées, will first dates lead to happily ever after or heartbreak?
A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.
Every day, Paris’ six railway stations welcome over 3,000 trains and more than a million travelers coming from France and all over Europe. The stations’ sizes are impressive: Gare du Nord is bigger than the Louvre or Notre-Dame de Paris. These railway stations are architectural landmarks and a model of urban planning despite the radical changes they’ve undergone since their construction in the middle of the 19th century. How did the railway stations manage to absorb the boom of travelers in just a few decades? What colossal works were necessary to erect and then modify these now essential buildings? From the monumental glass walls of Gare du Nord to the iconic tower of Gare de Lyon, to the first-ever all-electric train station, each has its own story, technical characteristics, and well-defined urban image.
A new film made from more than a hundred fragments of archive film, Echoes of the North transports you back to Northern England a century ago, taking its audiences down the highways and byways of northern life in the early 20th century - its industries and rural life, its wartimes and festivals, its transport, holidays, family excursions and huge, city-wide occasions.
Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.
107.9 The End was an innovative radio station in the Alt-Rock days of the 90s in Cleveland, Ohio. After the telecommunications act of 1996 however, the station found it self in the hands of different owners. This film tells the story of the station through the people that lived it, the disc jockeys and staff.
Showcasing three short films by American writer James Baldwin, wherein he muses about race, sexuality and civil rights, among other topics, in Istanbul, Paris and Great Britain.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
Les Trésors du Paris haussmannien
In France’s last presidential election, Marine Le Pen, a right-wing candidate, won over 30 per cent of the vote after an attempt to rebrand a party long associated with her controversial father, Jean-Marie Le Pen. See how three of her supporters faced similar obstacles in changing the narrative.
In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
Les canaux de Paris: Un patrimoine révélé
25 BIS is an intimate portrait of a masterpiece from the beginning of Auguste Perret’s career: the building located on 25 Bis, Rue Franklin in Paris. The film looks for the intangible and subjective element of the building’s history: the depth of its human print. The building appears as a sedimentation of life stories where each layer has left the trace of a passage. From the intimate nature of these stories, the film draws this fragile and undefined essence that could be called “the soul of the place”.