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Plagued with poverty and violence, Jamaica tries to inspire its populace by qualifying their national team, the 'Reggae Boyz', for the World Cup. When their efforts start to fall short, Winnie Schäfer, a colorful German coach, teams up with reggae musicians to unite Jamaica beyond the soccer pitch.

Bots High is an exciting documentary following the adventures of three high school robotics teams battling for first place at a national robotics competition in Miami, Florida. It's a no-holds-barred fight to the death with robot carnage everywhere you look. Genius inventor Will builds robots so powerful they're unstoppable...if only they don't destroy themselves first. The Mechanical Misfits are an all girls team stumbling through their first foray into combat robotics and Elizabeth and Danielle are a formidable pair looking to reign supreme during their last year of high school. Bots High follows these students as they design, build and compete at Nationals - all while surviving high school, first love and teenager procrastination. A FilmBuff Presentation.

A profile of Charlie Ward, an All-American college football player, quarterback, college basketball player, professional basketball player, and Heisman Trophy winner.

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.

30 years after Bob Marley's death Jamaica continues to be on top of the world-wide music scene. Reggae has evolved into a new genre, Dancehall.

In Texas, construction workers face the deadliest conditions in the country. This documentary follows three immigrant families who are rising up to seek justice and equality in an industry rife with exploitation.

When an unidentified hiker is found deceased in the Florida wilderness, authorities release a sketch. Multiple hikers call in claiming to have met the man. There's only one problem – he never told them his name. It would take two years, thousands of devoted internet sleuths, and a miracle of science to identify him, and that's when the trouble really starts.

The heir to a Burger Baron franchise, the filmmaker chases clues through rural Alberta, capturing the trials and tribulations of Arab immigrants while uncovering the saga of a rogue fast-food chain with mysterious origins and a cult following.

Based on footage shot in the early seventies and lost for more than thirty years, we see and hear the young Bob Marley before he was famous. The film shows us the Wailers' first rehearsal, when the idea of a Jamaican supergroup was still just a dream. Sit in as the albums of Bob Marley and the Wailers brought reggae music and Rasta consciousness to the world, starting a revolution that would change rock music and contemporary culture.

Every weekend, seventeen year old Chris and his family hunt rabbits during sugarcane field burning and harvesting in the Florida Everglades.

Experience the strange occurrences at Florida's most haunted, hidden location in "Spirits in the Swamp". Follow the tragic story of a young bride and see alleged evidence of paranormal activity at Bellamy Bridge near Marianna, Florida. Author and Historian Dale Cox and Jackson County Tourism's Pam Fuqua tell the story and the Emerald Coast Paranormal Concepts.

Early Errol Morris documentary intersplices random chatter he captured on film of the genuinely eccentric residents of Vernon, Florida. A few examples? The preacher giving a sermon on the definition of the word "Therefore," and the obsessive turkey hunter who speaks reverentially of the "gobblers" he likes to track down and kill.

The story of Cuban refugees who risked their lives in homemade rafts to reach the United States, and what life is like for those who succeed.

“These animals are like ghosts,” says Carlton Ward Jr.—National Geographic explorer, photographer, and 8th generation Floridian—at the beginning of this captivating film that endeavors to keep the Florida Panther from becoming just that: a ghost. As the last big cat surviving in the eastern United States and the state animal of Florida, the panther is an icon of Florida’s ever-diminishing wild places, as revealed in the film’s sumptuous images. Leading a team that includes cowboys, wildlife biologists, photographers/videographers, and a lot of folks who simply care about the future of Florida’s fragile ecology, Ward treks repeatedly into the Everglades and expanses of South Florida to seek, record, and save these ghosts.

Through the eyes of a young drifter who rejects society's rules and intentionally chooses to live on the streets, Chinese filmmaker Nanfu Wang explores the meaning of personal freedom – and its limits.

It’s the 2014 midterms and residents of a South Florida retirement community feel the weight of democracy on their shoulders. In one of the most influential counties of America’s largest swing state, these political kingmakers trade their golf clubs for clipboards and hit the pavement to get out the vote. A GREATER SOCIETY is a feature documentary to inspire voter turnout. Inside the gates of Wynmoor Village are three miles of manicured lawns lined with palm trees, a golf course, and carefully maintained condominiums. At first glance, it’s just another retirement community where elders go to enjoy their golden years relaxing by the pool and taking ceramics classes; but look further and you’ll see that the people who live in this community share something unique: the power to have a real impact on national politics.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

The story of a little loggerhead turtle, as she follows in the path of her ancestors on one of the most extraordinary journeys in the natural world. Born on a beach in Florida, she rides the Gulf Stream up towards the Arctic and ultimately swims around the entire North Atlantic across to Africa and back to the beach where she was born. But the odds are stacked against her; just one in ten thousand turtles survive the journey.

Thousands of Hongkongers, still living in the shadow of the 2019 protests, are immigrating to the UK to forge a freer future. This film documents their struggle to break free from a homeland that is no longer welcoming, while holding on to the Hongkonger identity in which they find purpose. In exile, can the Hongkonger identity persevere, or is it destined to obscurity? Can they really find a place to call home?

This film travels over open books, looted objects and postcards to look for the imperial foundations of the world in which we live. Within this wide landscape the film focuses on the destruction of the Jewish Muslim world that existed in North Africa, making it imaginable and inhabitable again. Narrated in the first person, by an Algerian Jew and a Palestinian Jew, the film refuses imperial histories of those places. Objects held captive in museums and archives outside of the places from where they were looted are only the visible tip of the iceberg of the mass colonial plunder of Africa. The film explores the substantial wealth accumulated through the extraction of raw materials, labour, knowledge and skills, including the “visual wealth” attained by putting people in front of the colonisers’ cameras.