Got You
Going into my interview with Laurel Greenfield, I thought the majority of our conversation would be about her inspiration for painting food and why she chose to pursue painting as a career. We spoke about that but ended up having a much bigger conversation about pursuing a creative career. We talked a lot about finding the balance between having a business plan and taking a leap of faith into the unknown, something anyone pursuing a creative field on their own can relate to.
The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.
People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.
In this documentary Edo Maajka, Bosnian hip hop star talks about war, his life as a refugee, war crimes, forgiving and making peace, nationalism, music scene in Croatia and Bosnia, Balkans mentality, love and hate, cevap restaurants, Sava river, partings, life of music stars, Lepa Brena and Nele Karajlic, politicians. His mode of narration and his charisma, his sincerity and his relaxed camera appearance will surely capture the spectators' attention.
A short documentary about how "Fulton" the Ukrainian Football Club came together.
The earliest 'rockumentary' of John Mayall and his musicians filmed in their homes, dressing rooms, motorways, airports, clubs, concert halls and at festivals.
In 1886, the United States Department of Agriculture ambitiously commissioned watercolour illustrations of over 3,000 fruit cultivars. In 2019, this collection was digitized. Mesmerizingly detailed, these images now tell an incredible story about the little-known talent of botanical illustrators, and how their work planted the seeds for intellectual ownership over agricultural innovations.
"Why we’re all paying so much more for Netflix, and what we can do about it."
The light and the noise stain the dark night.
A community of Armenians, refugees from the Soviet Union during the Baku pogroms, live in a deep American province. Baku life, Armenian blood, Soviet mentality, and American emigration mix in incredible tragicomic proportion.
A short film and digital resource to highlight the need for more inclusive healthcare in Canada, and provide resources and tips for medical professionals seeking to make their offices and clinics more inclusive for 2SLGBTQ+ patients.
Making of Jean Luc Godard's Alphaville (1965)
A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Boatman's Call (originally released in 1997). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.
From the slow waitings for opening of the big top to the loneliness in the dressing room backstage, Abuhadba follows the life of a small circus in Chile run entirely by a traditional circus family.
This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.
This behind the scenes documentary split across five chapters focuses on the many aspects of the filmmaking journey and includes interviews with lead actor and actress Denzel Washington and Frances McDormand. As well as various crew members.
Song of Ceylon was commissioned for the short-lived German TV-series Telekritik and broadcasted in 1975. In Telekritik documentary approaches were analysed and made available for a critique of contemporary TV, its aesthetics and modes of production. Other authors for the series include Hartmut Bitomsky, Rainer Gansera and Klaus Wildenhahn.In the 30-minute movie, Farocki shows and comments on excerpts from the film Song of Ceylon by Basil Wright (and a short segment of Eisenstein's Mexico-fragments). Farocki's voice-over describes part of the movie, focussing on details and montage. He also uses didactic and descriptive drawings and intertitles to confront the classic documentary and its stylistic approaches with contemporary TV.
The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.
Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.