Bismuna - Ein Abenteuerfilm

Looking for a few reasons why you should visit Nicaragua? Considering the country's two incredible coastlines, almost 20 volcanoes, lively colonial cities, abundant wildlife, rich culture, and delicious food, it won't be hard to convince you to put “visiting Nicaragua” at the top of your travel bucket list! Nicaragua, set between the Pacific Ocean and the Caribbean Sea, is a Central American nation known for its dramatic terrain of lakes, volcanoes and beaches. Vast Lake Managua and the iconic stratovolcano Momotombo sit north of the capital Managua. To its south is Granada, noted for its Spanish colonial architecture and an archipelago of navigable islets rich in tropical bird life.

Social workers dispel myths about why children are removed from their biological parents, breaking down their overwhelming workload. Lawyers uncover the harsh reality of young children navigating the legal system. Advocacy organizations try to keep children safe and away from predators. An eclectic array of interviews from foster care alumni explore their connections (or lack thereof) with social workers, the fragile bond with each foster home, how trust can fall apart, and how those unable to adapt spent time in group homes. The film concludes with alumni success stories, working to remove the stigma of foster care.

Three Nicaraguan-American artists from the Washington D.C. Metro area discuss growing up in two cultures and how it influences their art.

Young people who have to survive without a home base are helped on their way to a life on their own two feet at Wonen Met Kansen. Little by little, with trial and error, but with the rock-solid confidence that the supervisors have in them.

It's December 16, 1972, 50 years ago. The first social cooperative in the world is born in Trieste. It was formed by 28 people: two sociologists, two psychologists, five nurses, a healthcare assistant, two doctors and sixteen private individuals who all have the same residential address: via San Cilino 16, Trieste. They are interned in a psychiatric hospital and therefore have no civil and political rights: they cannot vote, marry or make a will. Imagine founding a cooperative. Thus the Court of Trieste rejected the request to establish the cooperative. It would have been a long march through the institutions.

American resort developers bear down on the wild west coast of Nicaragua, hoping to build the next tourist paradise. With lax labour and environmental regulations, some of the developers take full advantage of the situation, and the local fishermen start accusing them of exploitation and land thievery. Unexpectedly, in the midst of this conflict, firebrand Daniel Ortega and the Sandinistas sweep back into government, boldly empowering the local fishermen. The tables turn viciously on the American developers, who get much more than they bargained for. But when the local fishermen, corrupted by new found power, begin acting in the same manner as the American developers, questions are posed about human nature, morality, and ethics on a much larger scale.

Sixteen female sex workers have been named judicial aides by Nicaragua’s Supreme Court to facilitate the resolution of conflicts that come up in their work. It is the first time in the world that sex workers have had access to this function. The film accompanies some of these women in their mediation work and in the actions they promote through their association, Girasoles (Sunflowers) of Nicaragua, to gain recognition and regulations for autonomous sex work.

Father Edward J. Flanagan is a familiar name to many Americans, often for the Oscar-winning 1938 film starring Spencer Tracy about Flanagan’s groundbreaking child welfare organization. But the story extends far beyond that, to a man whose name and legacy are still well-known as far as Germany and Japan. Flanagan gained influence and admiration over the course of his life from Presidents, CEOs, celebrities and more, but none mattered more to him than that of the children for whom he tirelessly worked. A sobering reminder of this was during WWII, as Flanagan saw droves of former Boys Town citizens go off to war. In fact, so many former Boys Town boys named Flanagan as their next of kin that the American War Dads Association named him as America’s No. 1 War Dad.

Born from the ashes of the iconic punk band Ebba Grön, this documentary tells the story of Imperiet and their journey to become the leading star of the post-punk generation and one of Sweden's biggest rock bands. It's also the story of Sweden, at a time in which they took their firm position on the world stage and when political commitment from the artists was a necessity.

The Interrupters tells the moving and surprising stories of three Violence Interrupters — former gang members who try to protect their Chicago communities from the violence they once caused.

Juan “Accidentes” Dominguez is on his biggest case ever. On behalf of twelve Nicaraguan banana workers he is tackling Dole Food in a ground-breaking legal battle for their use of a banned pesticide that was known by the company to cause sterility. Can he beat the giant, or will the corporation get away with it?

Five people talk about how easy it is to build up and how difficult it is to get out of it again. They fall ten prey to the powerful industry. Fines and extra costs make them so aware that they can no longer be solved on their own.

Les Enfants de la Bonne Mère : Rue d'Aubagne

Nicaragua, una patria libre para vivir (la insurrección de los nietos de la revolución sandinista)

How can a country survive when its jungle borders hold 4000 hostile troops?

¡Las Sandinistas! uncovers the disappearing stories of women who shattered barriers to lead combat and social reform during Nicaragua’s 1979 Sandinista Revolution, and who continue to lead Nicaragua’s current struggle for democracy and equality.

The conflict between Dole Food Company and Swedish filmmaker Fredrik Gertten unfolds dramatically in the documentary "BIG BOYS GONE BANANAS!" as the corporation attempts to suppress Gertten's earlier film, "BANANAS!"—chronicling Nicaraguan workers' lawsuit against Dole. Initially selected for the 2009 Los Angeles Film Festival, "BANANAS!" was abruptly removed from competition, followed by a negative article in the Los Angeles Business Journal and legal threats from Dole's attorneys. Gertten captures this saga of corporate intimidation, media manipulation, and legal challenges in his documentary, showcasing the struggles documentary filmmakers face and highlighting the threat to freedom of speech posed by powerful corporations protecting their reputations.

This 1979 documentary depicts the daily life of gangs in the South Bronx. It deals primarily with two African American and Puerto Rican gangs known as the "Savage Skulls" and the "Savage Nomads".

When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?

Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.