Femme Fatale: The Nightmare Come True

The multi-talented outsider artist Richard McMahan is on a quest to painstakingly re-create thousands of famous and not-so-famous paintings and artifacts–in miniature.

A damsel in distress agrees to run away with her wealthy lover in order to escape from her abusive husband. But all is not as it seems in this 1940s film noir.

A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.

Palazzo Vecchio: a history of art and power. Directed by Piero Messina, through a clever movement of the narration between past and present, makes a real journey into the beauty of an ancient place that still retains its undisputed charm.

Kingdom of Granada, al-Andalus, 14th century. After recognizing that his land, always under siege, is hopelessly doomed to be conquered, Sultan Yusuf I undertakes the construction of a magnificent fortress with the purpose of turning it into the landmark of his civilization and his history, a glorious monument that will survive the oblivion of the coming centuries: the Alhambra.

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.

Oskar Kokoschka : Portraits européens

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

Multimillionaire Steven Beard, a retired broadcasting executive, who fell hard for Celeste , an attractive waitress who served him his nightly cocktail at the local country club in Austin, Texas.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Stolen from the famous "secret" Air Force base, Area 51, Lupin's most recently stolen treasure holds a secret. Four "Bloody Angels," the toughest women Lupin has ever faced, want the treasure for their own terrorist purposes. Meanwhile Zenigata teams up with a female police officer to hunt Lupin and the terrorists down.

An account of the life and work of Swiss painter, sculptor, architect and designer H. R. Giger (1940-2014), tormented father of creatures as fearsome as they are fascinating, inhabitants of nightmarish biomechanical worlds.

The ambitious Betsy is happy: she gets promoted to a leading management position. Her happiness is spoiled only a little by problems with a boyfriend who feels neglected and an harassing boss. She realizes much too late that her secretary Norma is after her job and step by step tries to ruin her career and private life.

M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?

100 years ago Mata Hari faced the firing squad as a convicted Dutch spy. It was at this moment that the legend of Mata Hari, the seductive spy, was born. Newly-discovered documents cast doubt on her guilt and reveal startling truths about her life. Mata Hari was a self-made woman whose boldness and sexuality threatened the male establishment. Most of what we've known about her until now has largely been myth. Mata Hari's challenges as an abused wife, single mother and a creative independent woman are familiar to women around the world. At the turn of the century, her struggles to attain sexual freedom, artistic expression, and liberation from the constraints of conventional society are the same ones women face today. She graced the cover of Vogue, performed all over Europe and left a coterie of smitten admirers in her wake.

Nicholas Baum goes on a journey to Den Bosch, Hieronymus Bosch's town, and gives his explanation about what he thinks the painter's works originally meant.

This movement marks the beginning of modern art in Germany. It is the German equivalent of French Fauvism, from which it draws its main inspiration, but it carries an Expressionist and social emphasis that is characteristic of Nordic 'angst.' The artists of Die Brucke were restless creatures, over-sensitive, haunted by religious, sexual, political or moral obsessions. Dramatic landscapes and nudes, mystical and visionary compositions, scenes of the countryside, the streets, the circus, the cafe-dansants and the demi-monde were their principal subjects. Their pure colours blaze in acid stridency, encompassed by rough, dry contours which show the influence of African art and primitive woodcuts. The work of the following is shown: Kirchner, Fritz Bleyl, Erich Heckel, Schmidt-Rottluff, Otto Muller, Emil Nolde and Max Pechstein.

Alongside Rembrandt and Vermeer, Frans Hals was one of the key figures in 17th century Dutch art. But unlike his contemporaries, who tended to paint gloomy or pensive pictures, Hals was entirely devoted to joy. He painted people who could barely conceal their zest for life - at a time when it was frowned upon to show teeth.