Femme Fatale: The Nightmare Come True

A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.

In the heart of Paris, an entire palace has disappeared. It was the very first residence of the kings of France. Long before Versailles, long before the Louvre, the Palais de la Cité stood on the most prestigious island in Paris, the historic cradle of France, facing Notre-Dame. So majestic in the Middle Ages, this palace has become a ghost of history. Over the centuries, this architectural masterpiece has almost completely disappeared. A trio of experts will resurrect it in 3D. Using science and unprecedented excavations, they will track down the pieces of the puzzle to reconstruct it at its peak in the 14th century, and bring back to life those who inhabited it. From the Romans to the Vikings, from Saint Louis to the cursed kings, all have left clues of this 'Versailles of the Middle Ages'.

In this unique, compelling film, those who knew him speak freely, some for the first time, to reveal the many mysteries of Francis Bacon.

The Flemish painter, humanist and diplomat Peter Paul Rubens (1577-1640) was fortunate to be recognized during his lifetime as an artist of genius and one of the most prolific among his peers, making him a key figure of the Baroque.

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

Kingdom of Granada, al-Andalus, 14th century. After recognizing that his land, always under siege, is hopelessly doomed to be conquered, Sultan Yusuf I undertakes the construction of a magnificent fortress with the purpose of turning it into the landmark of his civilization and his history, a glorious monument that will survive the oblivion of the coming centuries: the Alhambra.

An account of the life and work of Swiss painter, sculptor, architect and designer H. R. Giger (1940-2014), tormented father of creatures as fearsome as they are fascinating, inhabitants of nightmarish biomechanical worlds.

For more than a decade, Reichsmarschall Hermann Goering, Adolf Hitler's right-hand man during the infamous Third Reich, assembled a collection of thousands of works of art that were meticulously catalogued.

The ambitious Betsy is happy: she gets promoted to a leading management position. Her happiness is spoiled only a little by problems with a boyfriend who feels neglected and an harassing boss. She realizes much too late that her secretary Norma is after her job and step by step tries to ruin her career and private life.

In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.

The Kiss by Gustav Klimt is one of the most recognised and reproduced paintings in the world. It is perhaps the most popular poster on student dorm walls from Beijing to Boston. Painted in Vienna around 1908, the evocative image of an unknown embracing couple has captivated viewers with its mystery, sensuality and dazzling materials ever since it was created. But just what lies behind the appeal of the painting – and just who was the artist that created it? Delving into the details of real gold, decorative designs, symbolism and simmering erotica, a close study of the painting takes us to the remarkable turn of the century Vienna when a new world was battling with the old.

We go behind the scenes and into the minds of artists as they capture, commemorate, and, at times, condemn our presidents.

The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.

Palazzo Vecchio: a history of art and power. Directed by Piero Messina, through a clever movement of the narration between past and present, makes a real journey into the beauty of an ancient place that still retains its undisputed charm.

This documentary features a kinetic artist who creates vibrant mixed media works that push the boundary between 2D and 3D.

A film that looks at the genius of JMW Turner in a new light. There is more to Turner than his sublime landscapes - he also painted machines, science, technology and industry. Turner's life spans the Industrial Revolution, he witnessed it as it unfolded and he painted it. In the process he created a whole new kind of art. The programme examines nine key Turner paintings and shows how we should re-think them in the light of the scientific and Industrial Revolution. Includes interviews with historian Simon Schama and artist Tracey Emin.

Stolen from the famous "secret" Air Force base, Area 51, Lupin's most recently stolen treasure holds a secret. Four "Bloody Angels," the toughest women Lupin has ever faced, want the treasure for their own terrorist purposes. Meanwhile Zenigata teams up with a female police officer to hunt Lupin and the terrorists down.

Multimillionaire Steven Beard, a retired broadcasting executive, who fell hard for Celeste , an attractive waitress who served him his nightly cocktail at the local country club in Austin, Texas.

Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.