Max Ernst: Journey into the Subconscious

Pollet and Schlöndorff imagine the Mediterranean as a supernal arena.

A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.

A video magazine put out by the Come Organization label. Noise, smut, medical procedures and an unwholesome fascination with infamous murderers. PETER SUTCLIFFE preview WHITEHOUSE LP TRACKS 3 total sex side A SUTCLIFFE JUGEND interview & music WHITEHOUSE studio action 2 HERMANN NITSCH a study AUSCWITZ / BIRKENAU 1941-82

A film about the work of the artist most famous for her monuments such as the Vietnam Memorial Wall and the Civil Rights Fountain Memorial.

"Let's Not Pretend" is a film by Riley Bartolomeo about acclaimed artist Susan Calza. This documentary follows this award and fellowship grant winning artist to discover the autobiographical stories which lay beneath her art. Moreover, the film emphasizes the importance of art in our communities, country and world!

La femme est l'avenir de l'art

The Wall Street stock trader were astonished when they passed at a five-metre bronze statue of a bull on there way to work on December 16, 1989. Also New York's Mayor and city administration wondering who had placed the three-ton work of art there. One of the most unusual and imaginative artists of our time was behind the action: the Sicilian-born Arturo Di Modica. This is the story of the statue, which became a symbol of Wall Street.

Playing with the recording of a water polo match, Galeta creates a kind of Copernicus twist in the structure and perception of this sports game. The ball still motivates the movements of players, but it is no more a dynamic element, but the fixed center of the image.

A look at the Sun, the star that revolves at the center of the Solar System, and its representation in art throughout history.

A film about and with Max Ernst.

When a group of young DIY artists in Santa Fe can’t find a door into the art world, they blow open an entirely new portal with their grit, passion, and tenacity. Within just a few short years – and with a little help from George R.R. Martin – this group called Meow Wolf ultimately hits a cultural nerve and garners massive, unexpected success with their exhibit, House of Eternal Return.

The director has decided not to write a synopsis of this film.

The exit door of the Bataclan theatre, the site of Bansky's mural, The Sad Girl, is stolen mysteriously. After it abruptly appears on of a hillside cottage in Abruzzo, French and Italian investigators unite to get to the bottom of the theft.

Caravage - Dans la splendeur des ombres

With the five-part Cremaster Cycle of films, multi-award-winning artist Matthew Barney invented a densely layered and interconnected sculptural world that surreally combines sports, biology, sexuality, history, and mythology as it organically evolves. In this program, Barney, Guggenheim curator Nancy Spector, and others deconstruct the Cycle’s filming and subsequent translation into sculptural installations. The locations, characters, and symbols that organize the Cycle films; the Cycle installations as spatial content carriers and extensions of the performances; and objectification of the body and undifferentiated sexuality are addressed, as are the intricacies of costuming, makeup, and sculpting with Barney’s signature materials: plastic, metal, and Vaseline.

In the 1980's, something changed the world forever. Computer technology, mostly due to the appearance of affordable Commodore 64's, entered households worldwide, providing the opportunity for everyone to create digital art. Moleman 2 is about the demoscene subculture, told by mostly Hungarian sceneres, but it features also some other nationalities.

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.

Jim Carrey exhibits his talent as a painter and reflects on the value and power of art.

A worn-out floor, the hole underneath, a political activist, and the Ouled Sbita tribe are the protagonists in this political satire. For 23 years, the director’s chair at an international art institute scratched the wooden floor. This 102cm x 120cm floor section is cut out and sent to an expropriated piece of land in Morocco. In The Hole’s Journey, Ghita Skali uses sharp wit, personal stories and playful editing to touch on specific power dynamics and freedom of choice.