Ilumina-me o elimina-me

Poetry, interviews and conversations between plants, still trying to find out what is love.

In this videoart, the creator uses mixed media animation as they read a Clarice Lispector short story. Drawing a comparison with her own life experiences, she questions what it means to be a lesbian. Excluded from every aspect of the patriarchal life, she creates her own identity through her loved ones, relying on the precursors of the lesbofeminist movement.

O Abissal

“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.

Bruno is a depressive and lonely guy who cannot sleep, in the meantime, he became a PVV volunteer, to help people with some kind of problem, in one of the calls, he falls in love by a woman and sees a new light in your life.

Light is information, a signal more lasting than recollection. If there’s anyone out there to receive the message. Isolated in a sealed apartment, a lone observer regards an outside world outside become increasingly unreal or unreachable. Archaic illuminations, old slides and the pin-lights of the camera obscura, crawl across the walls. Connections fray. Time loses meaning. A science fictional essay film, or its inverse. A rumination on optics, memory, data, and endings.

In this short from James Knight, a collection of Paul Celan's poetry is subjected to an electrical atomisation. Its words are severed from their material form. Knight composes through decomposition, pages disintegrate and reintegrate, and all the while the traces of their words remain fixed.

Sitting Idle (2021) is a meandering, meditative visual poem that follows the life of a nameless character over the course of a year - as he traverses across the country, meeting and living with friends along the way. Luke Olutunmogun presents an unconventional plot-free narrative that acts as a visual longitudinal study and diary - exploring feelings of loneliness, alienation, and jadedness amid the death throes of a decaying urban landscape.

A filmographic essay featuring lines from "Bonedog" by Eva H.D. A pathos on memory, travelogue consciousness and the divets remaindered from environmental displacement.

From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.

FALL

In the tradition of experimental genres such as the cut-up, collage, permutation, altered book, & erasure poem, ‘Burning Batteries’ dissects the idea of the book in both a literal & philosophical way. Books are usually thought of as 2D, static, fixed pieces of historically relevant narratives – ReVerse Butcher wants you to (re)think books as contested spaces for possible intervention, creative agency, & rebellion. She sees books as multi-layered places where multiple meanings hide behind the illusion of being locked-in by consensus reality.

Compiled from stock footage, Livestock is a visual poem exploring the digital, physical and metaphysical synergy of the modern workplace.

Cuboland

Translated from a self-reflexive Chinese saying, Yun Lam Li's I thought of you often, this film is a visual poem about the meaning of aging within a culture that is not one's own.

a haiku films, a poem by Nha Thuyen

A haiku film poem. the early morning waiting for the monks. the voices. the fire. the wat drum.

Fed up with surviving on social crumbs, he takes a surreal flight to find a hidden truth. In a dull world, we need color, but what if this colorful idealization turns against you?

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.

In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I sincerely express my deep desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.