Longing for Spring

A girl comes to the city for studying for the first time.

A poem told through Rebecca, the American Girl Doll.

seasons are ephemeral don't worry

a haiku films, a poem by Nha Thuyen

A haiku film poem. the early morning waiting for the monks. the voices. the fire. the wat drum.

Captured on HUAWEI P60 Pro, "The Sea Is Not Blue At Seberang Takir" is a glimpse into the lives of three characters in a village by the sea in Kuala Terengganu. Written and directed by Ariff Zulkarnain, the short film features an anthology of poems by the great T. Alias Taib, also known as the "People's Poet".

An intimate visual poem explores the delicate balance between change and stillness, inspired by Ethan TK Trinh’s 2025 poetry collection, “Change and Don’t.”

Rumination is a quiet reflection on a fractured relationship, told through memory, distance, and unanswered questions. Looking back, the narrator sifts through what went wrong, caught between what was real and what was lost.

A reflection on loss and nature’s quiet observance in a small nook of the Ozarks. 

“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.

Digital images decomposing in rain-like effects. A visual poem, trying to capture the poetics of a cinematic rain shower into the structure of its images. Still images from the 1982 science fiction film noir classic Blade Runner become animated, a frozen memory of two lovers is washed away in time.

Fed up with surviving on social crumbs, he takes a surreal flight to find a hidden truth. In a dull world, we need color, but what if this colorful idealization turns against you?

FALL

A filmographic essay featuring lines from "Bonedog" by Eva H.D. A pathos on memory, travelogue consciousness and the divets remaindered from environmental displacement.

A loose interpretation of the poem of the same name by Dutch poet M. Vasalis, "Time" follows a grieving man who is plagued by a strange and prophetic dream.

In this short from James Knight, a collection of Paul Celan's poetry is subjected to an electrical atomisation. Its words are severed from their material form. Knight composes through decomposition, pages disintegrate and reintegrate, and all the while the traces of their words remain fixed.

A short film by artist and writer Sarah Roselle Khan that includes footage of everyday British-Pakistani culture, scenes shot in Hackney Marshes and archival material. Combined with a confessional poetic monologue and an original score by musician Nadia Tehran, the film reflects on the complexity and alienation of navigating a cross-cultural existence in a homogeneous Western society - the cycle of disconnect with environment and homecoming to self through honest embodiment.

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.

Translated from a self-reflexive Chinese saying, Yun Lam Li's I thought of you often, this film is a visual poem about the meaning of aging within a culture that is not one's own.

Fue una clara tarde, triste y soñolienta