Himalayan Xtri – Xtreme Triathlon Nepal

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Rolling Stones – Hearts for Prague

Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.

Řečtí umělci

Krvavý Bagrám

The Chaperone tells the true, previously untold story of a lone school teacher who fought off an entire motorcycle gang while chaperoning a middle school dance in a church basement in 1970s Montreal, Canada. Told from the first person unscripted perspective of the school teacher and DJ who were there that night, The Chaperone recreates the whole scene using hand drawn animation, miniature sets, puppets, live action Kung Fu and explosions all done in stereoscopic 3D. With over 10,000 hand drawings (many of which were colored in crayon by hand), an original blaxploitation score and featuring a cast of over 200 people, The Chaperone is an unconventional approach to documentary shorts.

From a vast record of 750 days, 5000 hours, Official Film of the Olympic Games Tokyo 2020 SIDE A and SIDE B are the official documentaries by Naomi Kawase capturing not only the athletes gathered from all over the world, but also their families, people involved in the Games, volunteers, medical personnel, and protesters shouting for the cancellation of the Olympics.

The First part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

The Second part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

Float is an artistic 4-5 minute film shot completely underwater of trans folks swimming naked set to music by trans musician Rae Spoon.

Kaio Brandon is a male prostitute trying to find himself in the big city. He has been selling his body for money since he was 14, unaware that many others like him are part of a worldwide sex industry and human trafficking that corrupts children forever. Kaio wants to change his life and become a nurse, but will h be able to overcome the labels?

Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.

The definitive photographic record of the 1984 Los Angeles Olympics, told "from the inside" through the lives of the participants, the words of David Perry, and the singing voice of Placido Domingo. From the opening to closing ceremonies, this unique style of storytelling shows a side of the Olympic Games not seen by television audiences.

Jim Bouton's 1970 book "Ball Four" was groundbreaking, shocking, and controversial. It sold in the millions. 40 years later, Bouton and former teammates spin hilarious stories from behind baseball's cloistered clubhouses, giving a rare glimpse inside Major League baseball in the 1960s. The book's cultural impact is examined by filmmaker and former pro baseball player Ron Shelton ("Bull Durham"), author Jean Hastings Ardell, and David Kipen, former director of literature for the NEA.

Short discussion between two friends about a strange man they used to know.

Footage yarn sliding over trees, fields, buildings, bulldozers, power lines... while a monotonous hum exacerbates the images.

A homage to Andrei Tarkovski made for the Spanish edition of the Chris Marker movie 'Une journée dans la vie d’Andrei Arsenevich'.

A series of ten shots, three minutes in length, of various locales in Munich.