The Other Side

Údolie večných karaván

A short experimental film shot on Super 8, inspired by the music of Richard Wagner.

In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.

Through thread and textile, an Asian seamstress tries to escape from the factory.

The model’s feet are uncomfortably squeezed into the heels, and her movements are slippery on slick silver liquid, before she slowly and ominously destroys the glass pane separating the subject from the viewer.

A group of five classmates is trapped inside their school bus after an encounter with a mysterious creature on the road. Amid constant threats from the creature, the teen's anxiety increases while their survival chances decrease.

The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.

In a city where fire, water, land and air residents live together, a fiery young woman and a go-with-the-flow guy will discover something elemental: how much they have in common.

A musical fantasia on religion and the nature of exploitation.

Two souls: One seeks to know her life's true essence and the other is haunted by foreign sights of himself, as they both are influenced by an existence beyond human realm—whom continually oversees them across eras, trapping them in a game of time and the unknown.

Where's the girl? Can you hold her for me? I need her now.

Jillian Mayer takes a walk on the beach. As she enters the camera’s frame, a swarm of cursors follow and stalk her as she moves.

Eight-year-old Elvis’ world begins to sink when his mother marries an immigrant stranger for money.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.

Bilbo Baggins, a hobbit enjoying his quiet life, is swept into an epic quest by Gandalf the Grey and thirteen dwarves who seek to reclaim their mountain home from Smaug, the dragon.

Estranged lovers reconnect through the power of the Magic Conch Shell.

Cumberland, 1348. The plague is spreading in medieval England. The remote village of little Griffin is also threatened. But the 9-year-old boy has a recurring dream that holds the key to a tiny hope of survival: a lake with a coffin floating on it. A white church with an iron cross. A falling glove. A falling silhouette. A torch tumble through a dark shaft into infinity. With his brother he recognizes in it a prophecy to escape the Black Death. So they embark with a few men on a journey to a distant cathedral, where they want to set up an iron cross as an offering to God. Her path leads them through a deep and dark mine shaft into an unknown land and completely outlandish time - into the present-day New Zealand of the 1980s.

Deep in an ocean facility, Aryanna, must face the unknown, as drips from water-tight air vents and scratches from within empty cells drive her to the brink of madness.

In the dining room of the abandoned house a white, faded entity feeds on her pieces. Memories keep her here and time transforms her into something new.