The Collapse of PAL

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

In an urban Indian city, A struggling actor battles for his career, but his friend who loses money in a scam deal commits an action that puts both of their lives in danger. The three last days before the incident follows the struggling actor, an ambitious filmmaker, a wannabe hustler, an opportunist, a lover and two cinephile thugs, through an inter-twining vignette of their lives.

In a lifeless urban landscape where time itself has stopped its crawl, a mad ballet is commencing and a newly hatched butterfly is about to die.

Organized in 12 discrete chapters, Sixty Six is a milestone achievement, the culmination of Klahr’s decades-long work in collage filmmaking. With its complex superimpositions of imagery and music, and its range of tones and textures at once alluringly erotic and forebodingly sinister, the film is a hypnotic dream of 1960 and 1970s Pop. Elliptical tales of sunshine noir and classic Greek mythology are inhabited by comic book super heroes and characters from Portuguese foto romans who wander through midcentury modernist Los Angeles architectural photographs and landscapes from period magazines.

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

16 mm, color, 3:35 or 10 min. Study for No. 11. "An exposition of Buddhism and the Kaballah in the form of a collage. The final scene shows Agaric mushrooms growing on the moon while the Hero and Heroine row by on a cerebrum."

Zeichenfilm II - Fragmente Fragile

Stop-motion experiments using B&W 16mm film. Shot using a Bolex, transferred to video, DVD, mp4. No soundtrack.

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

"We are powerfully imprisoned by the terms in which we have been conducted to think.” - R. Buckminster Fuller

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.

"These Are the Days is about the passing of time. It is a computer animation of falling paper, with a sound-track of people counting. By combining mathematical models of different physical phenomena such as gravity, elasticity and aerodynamics I can create abstracted simulations of natural systems. As well as the formal qualities that are explored in this work, I am interested in other possible readings. The endless flow of paper suggests the meditative space of a waterfall, yet also speaks of consumption and waste. Our lives are documented by a continual stream of paper, from birth and death certificates to supermarket receipts."

A drug artist designs a new piece that is triggered by exposure to audio visual static.

A woman undergoes a surreal experience while processing a lifelong dream.

"Minus" is a fiction and at the same time experimental movie, which doesn't enjoy any distinct geography, language and time. The events occur in a razor producing company, in which a young and simple retainer is working, who has special capabilities. He knows telepathy and he can read the minds of all people and even things. Most of the time, his predictions increase his ability of presentiment.

A short student film reflecting on the reality of living in the modern urban dystopia

Bársony Spirál

Filmed on 16mm film, this visual expression is rooted in its archival materials and backed up by the poem by Hans Magnus Enzensberger. It speaks of the forgotten people, their lives and their deeds. These two Archives have been found on the flea market in Zagreb. One is of a famous architect and the other one is of a famous composer. This film ponders on this occurrence, on the vanishing of and forgetfulness of humans.

A foreign girl arrives to her new apartment. Her three roommates welcome her rather distantly, for no reason at all, and she can smell that there is something going on...Literally. Everyday when she walks out of her room, she notices a strong smell of insecticide that nobody is willing to explain.

Minimalist, geometric shapes are set to processed found noises in a film that takes familiar noises and makes them strange.