A short avant-garde film from Finnish director Eino Ruutsalo.
A girl trapped in a time loop leaves an AI replica to relive her final days. Glitches and burned-in subtitles reveal the machine’s fractured view, until the loop shifts to the real her — blurring the line between memory, code, and consciousness. "Told from the memory stream of a trapped A.I., the film visually glitches as it attempts to 'escape,' including encoded flashes of an 'ESC' key."
In 1944 Lye moved to New York City, initially to direct for the documentary newsreel The March of Time. He settled in the West Village, where he mixed with artists who later became the Abstract Expressionists, encouraged New York’s emerging filmmakers such as Francis Lee, taught with Hans Richter, and assisted Ian Hugo on Bells of Atlantis. Color Cry was based on a development of the “rayogram” or “shadow cast” process, using fabrics as stencils, with the images synchronized to a haunting blues song by Sonny Terry, which Lye imagined to be the anguished cry of a runaway slave. —Harvard Film Archive
Ayush suffers from sleep paralysis and dark hallucinations, haunted by shadowy figures that represent his repressed fears. Trapped between dream and reality, he confronts these manifestations of his inner turmoil.
Abstract shapes morph in and out of focus.
Propulsive Polish avant-garde animation following clouds of shapes that resemble nebulae or stellar surfaces.
Schwartz reordered and combined angular contours, broken planes, and distorted proportions in her own pictorial structures in an homage to Picasso's style.
A man comes home to find a mysterious box on his living room floor.
Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.
Fischinger's abstract designs accompanied by Gitta Alpar singing. Preserved by the Academy Film Archive in 2000.
Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.
A teacher spends a day in their classroom where nothing is what it seems.
A women takes a journey that questions the boundaries of reality and what is an illusion.
A lonesome man at the threshold of death finds himself trapped in a place called the Endless.
Hieronymus Rivera (Jonathan Rosado), a strong force in the New York fashion underground, is offered the deal of a lifetime by Cecilia Meadows (Jessica Shepherd), a government official who is the head of a new secret program called DAFTCA. What begins as a simple agreement to design uniforms for the organization, soon finds Hieronymus in the center of a vast web of conspiracy.
Homage to the cult classic “Mondo Hollywood”, a groovy mushrooms dealer and a man from the 5th dimension journey through Hollywood to find the meaning of “Mondo.”
A dystopian society ruled by machines where the fate of humanity hangs in the balance.
Robert gets up at 5 a.m. every morning to work on a project with Professor Perlman. They are investigating the mystery of a composer who stopped composing. They like to drink tea and jog around campus. Meanwhile, Alice is fast asleep …
One might think that beautiful pictures, a compelling story, and brilliant movement are the three essential elements of a good animated film. The word "anima" from which animation is derived, as we all know, means "to breathe life into". And "life" means "limited time" and that there could be an approach that does not include any of the aforementioned "three elements". The result of several years of exploring new methods was an "animated film" that eschews the so-called "animated" structure. This film aims to visualize "shifting consciousness" through a method of filming in which approximately 5,000 pencil drawings are constantly overlapped"
An abstract ballet set to "I've Never Seen a Smile Like Yours".