O Conto de Tereza

A socially awkward, neurodivergent youth struggles to adapt at a social gathering that quickly takes a turn into the uncanny and surreal.

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

A short film about a US business man who came to Africa, Namibia, to finalize a very important business deal. Unfortunately, his brief case—which had important documents—was snatched or robbed from him and he is determined to get it back. Go into a journey with Mr. Tom as he fights to get his important documents back.

A guy named Ray tries to go to sleep and a sasquatch gets into funky business.

This is a story about a man who believes that he has two “selves” - external and internal. That is, an organism is a certain conglomerate of cells, each of which is a separate individual. This hybrid creature has a certain common personal “I” that uses the entire organism, and is the organism itself, which has its own will. According to the character, one can communicate with him, which is what he is trying to do. He wants to reach him and comes up with different ways of communication: injecting substances under the skin or intravenously, tattooing texts on the body, swallowing objects. The answer would come in the form of a rash or other physical manifestation that had to be interpreted. As a result, communication is carried out and the second “I” agrees to die.

A voyeuristic night photographer discovers that she has become the subject of some thing's lens.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

A man comes home and realizes that something else came home with him.

A man grapples with his anxiety, attempting to calm him self in the shadow of his idols. As the ideal and the real collide.

Through experimental editing and the recitation of movie trivia the film comments on the chaos of information in the age of the internet.

Resonances

1982. 15'50". A French black and white experimental film. Bloody, violent, and disturbing. Full production credits unconfirmed.

Based off the poem by H.P Lovecraft, it tells the tale of a dying man who slowly enters a strange dream world where he fades into oblivion.

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

Chewy Thanksgiving

Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.

Succeeding in entering the past, a young man meets his favorite actress whom he adulates with passion. His identifying urges emerge, and the desire of replacement prevails : he makes his idol live forever.

A short artist film that explores femininity and sexuality. SHE journeys through her life and mind in order to be reborn, and reclaim all that men have taken from her.

A Landscape of noise. The experience of a look being assimilated into a completely technological environment