A Knife in the Eye

With the five-part Cremaster Cycle of films, multi-award-winning artist Matthew Barney invented a densely layered and interconnected sculptural world that surreally combines sports, biology, sexuality, history, and mythology as it organically evolves. In this program, Barney, Guggenheim curator Nancy Spector, and others deconstruct the Cycle’s filming and subsequent translation into sculptural installations. The locations, characters, and symbols that organize the Cycle films; the Cycle installations as spatial content carriers and extensions of the performances; and objectification of the body and undifferentiated sexuality are addressed, as are the intricacies of costuming, makeup, and sculpting with Barney’s signature materials: plastic, metal, and Vaseline.

An installation film that consists of a six-hour-long monologue performed by Edith Clever, who reads texts by Syberberg and many different authors, such as Johann Wolfgang von Goethe, Heinrich von Kleist, Plato, Friedrich Hölderlin, Novalis, Friedrich Nietzsche, Eduard Mörike, Richard Wagner, William Shakespeare, Samuel Beckett, and Chief Seattle.

“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)

Fifty years after Martin Luther King delivered his “I Have a Dream” speech, a collective of African American filmmakers, artists, and intellectuals reflect on the goals and ambitions of the civil rights movement and where things stand today.

Hinter dem Vorhang: Das Geheimnis Vermeer

Franco-American film pioneer Maurice Tourneur is a forgotten name in cinema history. This film traces the incredible journey of this crucial innovator from Paris to Hollywood. He inspired many of his peers and was also a mentor to some great filmmakers, including his son Jacques. Using previously unseen home movies, this film reveals the private man as well as the inspired artist whose career spanned four decades and two world wars.

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super Highway', which premiered at The Museum of Art in Fort Lauderdale, Florida, with recent installations, historical background and interviews.

How the art in the Detroit Institute of Art connects to life's experiences and the neighborhood.

A Singer, Musician & Filmmaker embark on a Cross Country Journey to explore what it takes to Find your Creative Voice. Through conversations, theory & musical moments, they uncover the steps & struggles every artist faces. This isn’t just a film—it’s a blueprint to find your voice.

Zénon is the hero of “The Abyss”, the famous novel by Marguerite Yourcenar published in 1968. He is also the main character in André Delvaux’s film, played by Gian Maria Volonte, for the movie adaptation of the same book in 1988. But what does Zénon represent for us today, and what has become of him? How can this entirely fictional philosopher, doctor, alchemist and inventor from the Renaissance help us understand the era in which he lived as well as our own in these uncertain times? This is what this documentary sets out to do.

Picha's irreverent style has left a mark on 70s and 80s animation cinema. But where is he now? And how should we best approach his work as an iconoclastic cartoonist, animated film and tv series director and painter who once embodied a certain idea of outrageousness and subversion?

A tribute to Italian filmmaker Sergio Corbucci (1926-90), presented by American filmmaker Quentin Tarantino.

At the Creedmoor Psychiatric Center in Queens, New York, Dr. Janos Martin helps treat patients with severe mental illness by encouraging them to express themselves through art, whether in paint, sculpture, or collage. In vivid imagery, brilliant close-ups, and delicate conversations, director Jessica Yu presents the intricate, often visionary, work of these nontraditional artists, allowing the patients to describe their approaches and processes in their own, sometimes tangled, words. With patience and calm resilience, Dr. Martin offers feedback and ideas for best methods to the individual artists, who sometimes scream or are in tears, as he helps them displace their frustrations, and demons, onto canvas. Seen as a collective, these works illustrate the fine line between creativity and distress and illuminate the healing power of expression.

Fragments from a portrait of Jean-Louis Costes - sincere artist, versatile designer, poet of excess -, a man forever atoning his anguish through singing, performance, drawing and writing...

A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.

O, Fortuna! A portrait of the composer of Carmina Burana, Carl Orff

By drawing a parallel between the Indian Durga Puja festival and other forms of celebrating the divine feminine, Santa Shakti reveals the Sacred Power beyond languages and religions.

Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.

In 1968 Roger Smith ate a peach during a break from work. When he was finished he took out a pocketknife and began carving the peach pit into a tiny pig. 43 years later the retired meter reader and cattle rancher from Culloeka, Tennessee, has carved hundreds of peach seeds into hummingbirds, stingrays, gospel choirs, entire villages, even a baseball stadium with more than 100 figures. "Given enough time," says Smith, "I don't think there is anything you can't make out of a peach seed."